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Importance of Communication Cues in Music Performance according to Performers and Audience
14 references·5 citing·49 second hop
Importance of Communication Cues in Music Performance according to Performers and Audience (2014)Importance of Communication Cues in Music…When the Eye Listens: A Meta-analysis of How Audio-visual Presentation Enhances the Appreciation of Music Performance (2012)When the Eye Listens: A Meta-…Rehearsal talk: Familiarity and expertise in singer-pianist duos (2012)Rehearsal talk: Familiarity a…A comparison of modes of communication between members of a string quartet and a jazz sextet (2009)A comparison of modes of comm…The Effects of Concert Dress and Physical Appearance on Perceptions of Female Solo Performers (2008)The Effects of Concert Dress …Shared performance cues in singing and conducting: a content analysis of talk during practice (2006)Shared performance cues in si…Pianists duet better when they play with themselves: On the possible role of action simulation in synchronization (2006)Pianists duet better when the…Relationships between Perceptions of Conducting Effectiveness and Ensemble Performance (2002)Relationships between Percept…Exploring Co-Performer Communication (2002)Exploring Co-Performer Commun…Auditory dominance in temporal processing: New evidence from synchronization with simultaneous visual and auditory sequences. (2002)Auditory dominance in tempora…Respiratory Markers of Conversational Interaction (2001)Respiratory Markers of Conver…Effects of Performer Attractiveness, Stage Behavior, and Dress on Violin Performance Evaluation (1998)Effects of Performer Attracti…The social in musical performance (1997)The social in musical perform…A Rehearsal of a Beethoven Passage: An Analysis of Correction Talk (1996)A Rehearsal of a Beethoven Pa…The elimination of visible behaviour from social interactions: Effects on verbal, nonverbal and interpersonal variables (1982)The elimination of visible be…Perspectives of teachers at music schools toward children’s extra-musical abilities promoted by music lessons (2023)Perspectives of teachers at m…Performance as theater: Expert pianists’ awareness of sight and sound in the concert (2023)Performance as theater: Exper…Resilience of Symphony Orchestras to Challenges in the COVID-19 Era (2022)Resilience of Symphony Orches…Small music ensemble and empathy: A replication study in a South Korean music student sample (2021)Small music ensemble and empa…The Power of Gaze in Music. Leonard Bernstein’s Conducting Eyes (2020)The Power of Gaze in Music. L…Hearing lips and seeing voices (1976)Immediate perceptual response to intersensory discrepancy. (1980)Perception and Action Planning (1997)Hearing What the Eyes See (2005)Multisensory Processing in Review: from Physiology to Behaviour (2010)Intersensory binding across space and time: A tutorial review (2013)A simplest systematics for the organization of turn-taking for conversation (1974)A simplest systematics for the organization of turn-taking for conversation (1974)The Preference for Self-Correction in the Organization of Repair in Conversation (1977)Coordinating the temporalities of talk and dance (2014)Turn organization and bodily-vocal demonstrations (2014)Class, Control, and Classical Music (2019)Action recognition in the premotor cortex (1996)Neurophysiological mechanisms underlying the understanding and imitation of action (2001)THE MIRROR-NEURON SYSTEM (2004)Making oneself predictable: reduced temporal variability facilitates joint action coordination (2011)Searching for Roots of Entrainment and Joint Action in Early Musical Interactions (2012)Meta-Analyses of the Intra- and Interpersonal Outcomes of Interpersonal Coordination (2016)Effects of Physical Attractiveness on Evaluation of Vocal Performance (1997)Effects of Performer Attractiveness, Stage Behavior, and Dress on Evaluation of Children's Piano Performances (2000)Attractiveness Bias in the Evaluation of Young Pianists' Performances (2004)Thinking in Jazz (1994)Thinking in jazz: the infinite art of improvisation (1995)Orchestra rehearsal strategies: Conductor and performer views (2012)The Discovery of Grounded Theory (2017)Moving to Communicate, Moving to Interact: Patterns of Body Motion in Musical Duo Performance (2019)Performing Music Research (2021)Some signals and rules for taking speaking turns in conversations. (1972)Conversations Over Video Conferences: An Evaluation of the Spoken Aspects of Video-Mediated Communication (1993)Remote Conversations: The Effects of Mediating Talk With Technology (1995)The Case for Motor Involvement in Perceiving Conspecifics. (2005)The simulating social mind: The role of the mirror neuron system and simulation in the social and communicative deficits of autism spectrum disorders. (2007)Brain Basis of Human Social Interaction: From Concepts to Brain Imaging (2009)The role of practice in the development of performing musicians (1996)Practicing Perfection: Memory and Piano Performance (2003)Practicing perfection: How concert soloists prepare for performance (2006)Non-verbal communication (1973)Effects of pitch and speech rate on personal attributions. (1979)Effects of relative immobilization on the speaker's nonverbal behavior and on the dialogue imagery level (1984)Social psychological models of interpersonal communication (1996)Spatial Metaphors in Temporal Reasoning (2001)Bias in meta-analysis detected by a simple, graphical test (1997)Cochrane Handbook for Systematic Reviews of Interventions (2008)Crossmodal interactions in the perception of expressivity in musical performance (2013)Adopting an External Focus of Attention Enhances Musical Performance (2018)Introduction to Meta‐Analysis (2021)Social and Musical Co-Ordination between Members of a String Quartet: An Exploratory Study (2002)Bodily movement and facial actions in expressive musical performance by solo and duo instrumentalists: Two distinctive case studies (2012)Rhythm in joint action: psychological and neurophysiological mechanisms for real-time interpersonal coordination (2014)
this work references cited by second hop

References

  • 2002Auditory dominance in temporal processing: New evidence from synchronization with simultaneous visual and auditory sequences.379 cited
  • 2001Respiratory Markers of Conversational Interaction248 cited
  • 2002Exploring Co-Performer Communication234 cited
  • 2006Pianists duet better when they play with themselves: On the possible role of action simulation in synchronization225 cited
  • 2012When the Eye Listens: A Meta-analysis of How Audio-visual Presentation Enhances the Appreciation of Music Performance182 cited
  • 1996A Rehearsal of a Beethoven Passage: An Analysis of Correction Talk141 cited
  • 1998Effects of Performer Attractiveness, Stage Behavior, and Dress on Violin Performance Evaluation122 cited
  • 2009A comparison of modes of communication between members of a string quartet and a jazz sextet117 cited
  • 2006Shared performance cues in singing and conducting: a content analysis of talk during practice112 cited
  • 1982The elimination of visible behaviour from social interactions: Effects on verbal, nonverbal and interpersonal variables109 cited
  • 2002Relationships between Perceptions of Conducting Effectiveness and Ensemble Performance86 cited
  • 2012Rehearsal talk: Familiarity and expertise in singer-pianist duos51 cited
  • 1997The social in musical performance45 cited
  • 2008The Effects of Concert Dress and Physical Appearance on Perceptions of Female Solo Performers

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43 cited

Cited by

  • 2022Resilience of Symphony Orchestras to Challenges in the COVID-19 Era10 cited
  • 2020The Power of Gaze in Music. Leonard Bernstein’s Conducting Eyes9 cited
  • 2021Small music ensemble and empathy: A replication study in a South Korean music student sample7 cited
  • 2023Performance as theater: Expert pianists’ awareness of sight and sound in the concert6 cited
  • 2023Perspectives of teachers at music schools toward children’s extra-musical abilities promoted by music lessons3 cited