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Sites of reality: Constructing press photography in Weimar Germany, 1928–33
11 references·3 citing·30 second hop
Sites of reality: Constructing press photography in Weimar Germany, 1928–33 (1996)Sites of reality: Constructing press phot…Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit (2019)Das Kunstwerk im Zeitalter se…The Work of Art in the Age of Mechanical Reproduction (2007)The Work of Art in the Age of…Critical Realism: History, Photography, and the Work of Siegfried Kracauer. (1995)Critical Realism: History, Ph…The Weimar Republic Sourcebook (1994)The Weimar Republic SourcebookHollywood in Berlin (1994)Hollywood in BerlinPhotography in the modern era : European documents and critical writings, 1913-1940 (1989)Photography in the modern era…The Film factory: Russian and Soviet cinema in documents (1988)The Film factory: Russian and…Thinking Photography (1982)Thinking PhotographyWeimar Culture: The Outsider as Insider (1969)Weimar Culture: The Outsider …The Power Elite (1956)The Power EliteBeing and Time (1927)Being and TimeComparing Media Systems (2004)Comparing Media SystemsTravail de l'information, histoire et matériau photographique : analyse visuelle d'une salle de rédaction dans les années 30 (traduction de Gilles Bastin) (2002)Travail de l'information, his…Camera as Witness, Image as Sign: The Study of Visual Communication in Communication Research (2001)Camera as Witness, Image as S…Disjuncture and Difference in the Global Cultural Economy (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)Extended Self in a Digital World: Table 1. (2013)Scientific Management's Lost Aesthetic: Architecture, Organization, and the Taylorized Beauty of the Mechanical (1997)The Modern Girl Around the World (2008)Resisting Left Melancholia (2019)Narrative configuration in qualitative analysis (1995)A Set of Principles for Conducting and Evaluating Interpretive Field Studies in Information Systems1 (1999)Theory Construction in Qualitative Research (2012)Film Front Weimar : Representations of the First World War in German Films from the Weimar Period (1919-1933) (2002)City of Darkness, City of Light : Emigré Filmmakers in Paris 1929-1939 (2003)In all questions, my interest is not in the individual people but in the analytic movement as a whole. It will be hard enough here in Europe in the times to come to keep it going. After all, we are just a handful of people who really have that in mind & (2011)The Sources of Social Power (1986)Mediating the Message: Theories of Influences on Mass Media Content (1995)Testing Theories of American Politics: Elites, Interest Groups, and Average Citizens (2014)Reality TV in the digital era: a paradox in visual culture? (1999)Modern Times: The Soviet Union and the Interwar Conjuncture (2001)Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (2007)The Blue Angel in Multiple-Language Versions (2007)A Foreign Affair : Billy Wilder's American Films (2008)They stole the show!: Indian films in coastal Tanzania, 1950s1980s (2010)Photographs and accountability: cracking the codes of an NGO (2007)Practices and Flows of Digital Photography: An Ethnographic Framework (2008)Visualising accounting: an interdisciplinary review and synthesis (2015)The Status of the “Material” in Theories of Culture: From “Social Structure” to “Artefacts” (2002)Lifestyle Meets Market: Bohemian Entrepreneurs in Creative Industries (2006)The Cinema of Attractions Reloaded (2006)ON THE ACTUARIAL GAZE (2005)What's the Point of an Index? or, Faking Photographs (2008)Photographing Objects as Queer Archival Practice (2014)
this work references cited by second hop

References

  • 1927Being and Time12,200 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1956The Power Elite3,626 cited
  • 2019Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit704 cited
  • 1994The Weimar Republic Sourcebook384 cited
  • 1982Thinking Photography239 cited
  • 1969Weimar Culture: The Outsider as Insider153 cited
  • 1989Photography in the modern era : European documents and critical writings, 1913-1940123 cited
  • 1988The Film factory: Russian and Soviet cinema in documents118 cited
  • 1994Hollywood in Berlin79 cited
  • 1995Critical Realism: History, Photography, and the Work of Siegfried Kracauer.25 cited

Cited by

  • 2001Camera as Witness, Image as Sign: The Study of Visual Communication in Communication Research24 cited
  • 2004Comparing Media Systems23 cited
  • 2002Travail de l'information, histoire et matériau photographique : analyse visuelle d'une salle de rédaction dans les années 30 (traduction de Gilles Bastin)4 cited

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