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This study examines the development of popular music in Mongolia over roughly four decades, focusing in particular on the emergence of globally inspired hip-hop and rap music. This is the period in which Mongolian popular musicians found their own voice within a rapidly expanding cultural mainstream. Hip-hop emerged within this mainstream as both a product of these developments and the result of the rise of a new generation of young people who defined themselves as distinct from the older, ‘socialist-era’ generations and used this music to declare this. The story of hip-hop's development provides us with a window onto the changing social, political and economic landscape of post-socialist Mongolia.
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Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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