SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Our generation is opening its eyes: hip-hop and youth identity in contemporary Mongolia
10 references·4 citing·33 second hop
Our generation is opening its eyes: hip-hop and youth identity in contemporary Mongolia (2010)Our generation is opening its eyes: hip-h…Global Youth?: Hybrid Identities, Plural Worlds (2009)Global Youth?: Hybrid Identit…The Horse-head Fiddle and the Cosmopolitan Reimagination of Tradition in Mongolia (2008)The Horse-head Fiddle and the…Rap in Indonesian Youth Music of the 1990s: "Globalization," "Outlaw Genres," and Social Protest (2005)Rap in Indonesian Youth Music…Global Noise: Rap and Hip‐Hop outside the USA. (2003)Global Noise: Rap and Hip‐Hop…Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Black Noise: Rap Music and Black Culture in Contemporary America (1995)Black Noise: Rap Music and Bl…Subcultural Sounds: Micromusics of the West (1993)Subcultural Sounds: Micromusi…Rock around the bloc: a history of rock music in Eastern Europe and the Soviet Union (1990)Rock around the bloc: a histo…Disjuncture and Difference in the Global Cultural Economy (1990)Disjuncture and Difference in…Red and Hot: The Fate of Jazz in the Soviet Union, 1917–1980 (1984)Red and Hot: The Fate of Jazz…Pop-Rock, Cultural Cosmopolitanism and the Global Cultural Market of Youth Identities (2019)Pop-Rock, Cultural Cosmopolit…Dissatisfaction and Dissent in the Transmodal Performances of Hip-hop Artists in Mongolia (2017)Dissatisfaction and Dissent i…The role of English in the language practices of Mongolian Facebook users (2016)The role of English in the la…Performing the self : rappers, urban space and identity in Dar es Salaam (2014)Performing the self : rappers…Time and the Other: How Anthropology Makes Its Object (1983)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)blurred boundaries: the discourse of corruption, the culture of politics, and the imagined state (1995)Ethnography In/Of the World System: The Emergence of Multi-Sited Ethnography (1995)Methodological nationalism and beyond: nation–state building, migration and the social sciences (2002)Metaphors We Live By (2003)The Cultural Studies Reader (1993)Subculture: The Meaning of Style (1995)Wayang Hip Hop: Java’s Oldest Performance Tradition Meets Global Youth Culture (2014)Hip-hop Islam: commodification, cooptation and confrontation in Southeast Asia (2018)Musical Cosmopolitanism, Bodies and Aesthetic Cultures (2018)Driving Change, Sparking Debate: Chi Bulag and theMorin Huurin Inner Mongolia, China (2014)Sustainability and Indigenous Aesthetics: Musical Resilience in Sámi and Indigenous Canadian Theatre (2019)Facing the Extreme (2002)The Modern Girl as Heuristic Device (2008)The Cambridge Handbook of Endangered Languages (1999)Hybridity and the rise of Korean popular culture in Asia (2005)Plugged in: Remote Australian Indigenous Youth and Digital Culture (2010)THE OVERCOOKED AND UNDERDONE: MASCULINITIES IN JAPANESE FOOD PROGRAMMING (2005)CONTEMPORARY MASCULINITIES AND YOUNG MEN IN INDONESIA (2009)Youth, Risk, and Equity in a Global World (2009)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Musicking: The Meanings of Performing and Listening (2000)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation (1997)Dis-orienting rhythms: the politics of the new Asian dance music (1997)Youth and Cultural Practice (2002)Generation Number One: Politics and Popular Music in Yugoslavia in the 1950s (2008)Western popular music consumption by highly involved Chinese music fans (2013)In Search of Space: The Trope of Escape in German Electronic Music around 1968 (2016)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Music and the Global Order (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)
this work references cited by second hop

References

  • 1990Disjuncture and Difference in the Global Cultural Economy4,235 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America736 cited
  • 1993Subcultural Sounds: Micromusics of the West465 cited
  • 2003Global Noise: Rap and Hip‐Hop outside the USA.285 cited
  • 2009Global Youth?: Hybrid Identities, Plural Worlds74 cited
  • 1984Red and Hot: The Fate of Jazz in the Soviet Union, 1917–198053 cited
  • 1990Rock around the bloc: a history of rock music in Eastern Europe and the Soviet Union31 cited
  • 2008The Horse-head Fiddle and the Cosmopolitan Reimagination of Tradition in Mongolia27 cited
  • 2005Rap in Indonesian Youth Music of the 1990s: "Globalization," "Outlaw Genres," and Social Protest26 cited

Cited by

  • 2016The role of English in the language practices of Mongolian Facebook users21 cited
  • 2017Dissatisfaction and Dissent in the Transmodal Performances of Hip-hop Artists in Mongolia8 cited
  • 2014Performing the self : rappers, urban space and identity in Dar es Salaam5 cited
  • 2019Pop-Rock, Cultural Cosmopolitanism and the Global Cultural Market of Youth Identities3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work