SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The consumption of music: Integrating aesthetics and economics
0 references·5 citing·19 second hop
The consumption of music: Integrating aesthetics and economics (1978)The consumption of music: Integrating aes…Does copyright understand intangible heritage? The case of flamenco in Spain (2023)Does copyright understand int…FLAMENCO PERFORMER’S PERCEIVED VALUE: DEVELOPMENT OF A MEASUREMENT INDEX (2019)FLAMENCO PERFORMER’S PERCEIVE…Chapter 5 Defining Cultural and Artistic Goods (2006)Chapter 5 Defining Cultural a…Understanding the Links Between Performing Artists and Audiences (2003)Understanding the Links Betwe…Economics and the Arts: A Review of Seven Years* (1982)Economics and the Arts: A Rev…An Essay on the Nature and Significance of Economic Science (1984)The Creative Mind (2004)De gustibus non est disputandum (2010)¿Debe el Estado financiar las artes y la cultura? Revisión de literatura (2011)Bandwagon, Snob, and Veblen Effects in the Theory of Consumers' Demand (1950)Theory of the firm: Managerial behavior, agency costs and ownership structure (1976)The Economics of Superstars (2009)Subsidies to the Arts with Multiple Public Donors* (1984)L'Art Pour L'Art? Behavioral Effects of Performing Arts Organizations (1987)2. De Gustibus Non Est Disputandum (1996)Entrepreneurship, Social Mobility, and Income Redistribution in South India (2016)Strings Attached to Arts Funding: Panel Assessments of Theater Organizations through the Lens of Agency Theory (2019)Contingent Valuation and Cultural Resources: A Meta-Analytic Review of the Literature (2003)Examining the Role of Emotional and Functional Values in Festival Evaluation (2010)Theory of value co-creation: a systematic literature review (2014)Why Does Copyright Ignore Performers? The Case of Flamenco in Spain (2019)Significance tests and goodness of fit in the analysis of covariance structures. (1980)Comparative fit indexes in structural models. (1990)Alternative Ways of Assessing Model Fit (1992)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2006Chapter 5 Defining Cultural and Artistic Goods16 cited
  • 2023Does copyright understand intangible heritage? The case of flamenco in Spain13 cited
  • 1982Economics and the Arts: A Review of Seven Years*12 cited
  • 2019FLAMENCO PERFORMER’S PERCEIVED VALUE: DEVELOPMENT OF A MEASUREMENT INDEX11 cited
  • 2003Understanding the Links Between Performing Artists and Audiences8 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work