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An investigation into the deterioration of painted Limoges enamel plaquesc.1470–530
5 references·3 citing·21 second hop
An investigation into the deterioration of painted Limoges enamel plaquesc.1470–530 (1987)An investigation into the deterioration o…X‐RAY FLUORESCENCE ANALYSIS OF ANCIENT GLASS: THE IMPORTANCE OF SAMPLE PREPARATION (1977)X‐RAY FLUORESCENCE ANALYSIS O…Quantitative Elemental Analysis of Art Objects by Energy-Dispersive X-ray Fluorescence Spectroscopy (1973)Quantitative Elemental Analys…Catalogue of the painted enamels of the Renaissance (1967)Catalogue of the painted enam…The Journal of the Walters Art Gallery (1949)The Journal of the Walters Ar…J.-J. Marquet de Vasselot, conservateur-adjoint au Musée du Louvre. Les émaux limousins de la fin du XVe siècle et de la première partie du XVIe. Étude sur Nardon Pénicaud et ses contemporains. Paris, Auguste Picard, 1921 (1923)J.-J. Marquet de Vasselot, co…Development and validation of an analytical protocol for the sampling and quantitative analysis of ions on the surface of unstable historic glass in museum collections using ion-exchange chromatography (2020)Development and validation of…Chemical analysis of 16th to 19th century Limoges School ‘painted enamel’ objects in three museums of the Low Countries (2009)Chemical analysis of 16th to …Microstructure d'une plaque d'email peint de Limoges du XVIe siecle (1991)Microstructure d'une plaque d…SURFACE‐ENRICHMENT OF BURIED METALS (1961)Wear traces and patination on Danish flint artefacts (1983)THE X‐RAY FLUORESCENCE ANALYSIS OF MEDIEVAL DURABLE BLUE SODA GLASS FROM YORK MINSTER (1986)Characterization of Glass Surface Morphology by Optical Coherence Tomography (2009)Non-destructive characterization of Della Robbia sculptures at the Bargello museum in Florence by the combined use of PIXE and XRF portable systems (2004)THE ‘DELLA ROBBIA BLUE’: A CASE STUDY FOR THE USE OF COBALT PIGMENTS IN CERAMICS DURING THE ITALIAN RENAISSANCE* (2006)PXRF, μ-XRF, Vacuum μ-XRF, and EPMA Analysis of Email Champlevé Objects Present in Belgian Museums (2011)Provenance Analysis of Glass Artefacts (2013)Mobile Spectroscopic Instrumentation in Archaeometry Research (2016)In situ study of Limoges painted enamels by portable X-ray fluorescence supported by laser ablation inductively coupled plasma mass spectrometry analysis of micro-samples (2017)CRIZZLING – A PROBLEM IN GLASS CONSERVATION (1975)The use of Raman spectrometry to predict the stability of historic glasses (2006)Acetic and formic acids emitted from wood samples and their effect on selected materials in museum environments (2009)Spanish Royal glasses with crizzling in historical buildings. The importance of environmental monitoring for their conservation (2021)The stability of the Ravenscroft's glass. Influence of the composition and the environment (2021)Influence of humidity in the alteration of unstable glasses (2023)X‐RAY FLUORESCENCE ANALYSIS OF PEWTER: ENGLISH AND SCOTTISH MEASURES (1977)Understanding silver hollow wares of the eighteenth and nineteenth centuries: Is there a role for X-ray fluorescence? (2012)The Greek Kitchen (1962)Byzantines and Jews: some recent work on early Byzantium (1996)World maps and Easter tables: Medieval maps in context (1996)
this work references cited by second hop

References

  • 1949The Journal of the Walters Art Gallery102 cited
  • 1977X‐RAY FLUORESCENCE ANALYSIS OF ANCIENT GLASS: THE IMPORTANCE OF SAMPLE PREPARATION32 cited
  • 1973Quantitative Elemental Analysis of Art Objects by Energy-Dispersive X-ray Fluorescence Spectroscopy18 cited
  • 1967Catalogue of the painted enamels of the Renaissance6 cited
  • 1923J.-J. Marquet de Vasselot, conservateur-adjoint au Musée du Louvre. Les émaux limousins de la fin du XVe siècle et de la première partie du XVIe. Étude sur Nardon Pénicaud et ses contemporains. Paris, Auguste Picard, 19213 cited

Cited by

  • 2009Chemical analysis of 16th to 19th century Limoges School ‘painted enamel’ objects in three museums of the Low Countries14 cited
  • 2020Development and validation of an analytical protocol for the sampling and quantitative analysis of ions on the surface of unstable historic glass in museum collections using ion-exchange chromatography11 cited
  • 1991Microstructure d'une plaque d'email peint de Limoges du XVIe siecle11 cited

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