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Cinema and Cultural Identity: Reflections on Films from Japan, India, and China
0 references·11 citing·29 second hop
Cinema and Cultural Identity: Reflections on Films from Japan, India, and China (1988)Cinema and Cultural Identity: Reflections…The Role of the Arts in the Digital Transformation (2020)The Role of the Arts in the D…Visual Aesthetics and Ways of Seeing: Comparing Ringu and The Ring (2011)Visual Aesthetics and Ways of…Popular Hindi Film Song Sequences Set in the Indian Diaspora and the Negotiating of Indian Identity (2008)Popular Hindi Film Song Seque…Beyond Behavior: Goals of Cultural Learning in the Second Language Classroom (2006)Beyond Behavior: Goals of Cul…The Girl and the Phonograph; or the Vamp and the Machine Revisited (2001)The Girl and the Phonograph; …Surreal Symphonies (2001)Surreal SymphoniesPopular Songs and Comic Allusion in Contemporary Cinema (2001)Popular Songs and Comic Allus…Picturizing American Cinema (2001)Picturizing American CinemaMusic as Ethnic Marker in Film (2001)Music as Ethnic Marker in FilmCrossing Musical Borders (2001)Crossing Musical BordersCinema and Popular Song (2001)Cinema and Popular SongThe Nation and Its Fragments (1994)Indian films and Nigerian lovers: media and the creation of parallel modernities (1997)Globalization and Culture (2009)MediatingBhojpuriya: Migration, circulation, and Bhojpuri cinema (2010)Making space for India in post-apartheid South Africa: Narrating diasporic subjectivities through classical song and dance (2014)Purity and Danger (1966)Powers of Horror: An Essay on Abjection (1984)Media Culture: Cultural Studies, Identity and Politics between the Modern and the Postmodern (1996)The Monstrous Makeover: American Horror Story , Femininity and Special Effects (2013)The Interpretation of Cultures (1974)Culture's Consequences: International Differences in Work-Related Values (1981)Culture and the Self: Implications for Cognition, Emotion, and Motivation (1991)Home culture and its effects on English as a lingua franca communication: Voices from Chinese students at a United Kingdom university (2023)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)The Black Atlantic: Modernity and Double Consciousness (1994)Wet Dreams: Erotic Film Festivals of the Early 1970s and the Utopian Sexual Public Sphere (2006)As if History was Merely a Record : The pathology of nostalgia and the figure of the recording in contemporary popular cinema (2008)‘Same old song’: on audio-visual style in the films of Wes Anderson (2011)Frame Analysis: An Essay on the Organization of Experience. (1975)Consumer Authentication of Popular Music in the Global Postmodern (2013)“Dumb” Performance as a Marker of Authenticity (2018)Uses and Gratifications Research (1973)Creating Capabilities (2011)CRITICAL QUESTIONS FOR BIG DATA (2012)Pop Go the Warner Bros., et al.: Marketing Film Songs during the Coming of Sound (2008)MUSIC VIDEO AND SYNAESTHETIC POSSIBILITY (2007)PARADOXES OF PASTICHE: (2007)The End is Nigh (2014)
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  • 2006Beyond Behavior: Goals of Cultural Learning in the Second Language Classroom58 cited
  • 2001Popular Songs and Comic Allusion in Contemporary Cinema32 cited
  • 2001The Girl and the Phonograph; or the Vamp and the Machine Revisited31 cited
  • 2008Popular Hindi Film Song Sequences Set in the Indian Diaspora and the Negotiating of Indian Identity16 cited
  • 2001Cinema and Popular Song16 cited
  • 2011Visual Aesthetics and Ways of Seeing: Comparing Ringu and The Ring13 cited
  • 2001Music as Ethnic Marker in Film9 cited
  • 2001Picturizing American Cinema9 cited
  • 2020The Role of the Arts in the Digital Transformation7 cited
  • 2001Crossing Musical Borders5 cited
  • 2001Surreal Symphonies4 cited

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