“Dumb” Performance as a Marker of Authenticity

Abstract

Musical authenticity is impossible to demonstrate objectively but is instead agreed-upon in group contexts through markers that form the basis for defining musical genres (type authenticity) and for evaluating works and artists as expressively honest (expressive authenticity). This paper explores the concept of “dumb” performance or sound as an authenticity marker in the production of Nashville roots/Americana music. Interviews with music professionals suggest that “dumbness” is a commonly shared concept that influences many aspects of musical production. It also appears to communicate aspects of expressive authenticity that help define roots/Americana music as a distinct genre to both its makers and consumers.

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 5 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.