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“Dumb” Performance as a Marker of Authenticity
16 references·1 citing·36 second hop
“Dumb” Performance as a Marker of Authenticity (2018)“Dumb” Performance as a Marker of Authent…Occupational Subcultures in the Workplace (2020)Occupational Subcultures in t…How Popular Musicians Learn (2017)How Popular Musicians LearnAuthenticity in Culture, Self, and Society (2016)Authenticity in Culture, Self…The organizational construction of authenticity: An examination of contemporary food and dining in the U.S. (2009)The organizational constructi…In Search of Authenticity* (2005)In Search of Authenticity*The Oxford Handbook of Aesthetics (2004)The Oxford Handbook of Aesthe…Blue Chicago: the search for authenticity in urban blues clubs (2004)Blue Chicago: the search for …Sound Tracks (2003)Sound TracksResearch methods in anthropology: qualitative and quantitative approaches (2002)Research methods in anthropol…Authenticity as authentication (2002)Authenticity as authenticationIn search of authenticity: the formation of folklore studies (1998)In search of authenticity: th…In Search of Authenticity: The Formation of Folklore Studies (1998)In Search of Authenticity: Th…Global Pop: World Music, World Markets (1998)Global Pop: World Music, Worl…Questions of Cultural Identity (1997)Questions of Cultural IdentityCreating Country Music (1997)Creating Country MusicOccupational Subcultures in the Workplace. (1996)Occupational Subcultures in t…Authenticity: Meanings, targets, audiences and third parties (2021)Authenticity: Meanings, targe…The Presentation of Self in Everyday Life. (1956)On Collective Memory (1992)From the Critics’ Corner: Logic Blending, Discursive Change and Authenticity in a Cultural Production System* (2005)Democracy versus Distinction: A Study of Omnivorousness in Gourmet Food Writing (2007)The Work of Art in the Age of Mechanical Reproduction (2007)A consumer-based model of authenticity: An oxymoron or the foundation of cultural heritage marketing? (2009)The Managed Heart: Commercialization of Human Feeling (1984)I -Pistemology: Changing truth claims in popular and political culture (2012)Driving it Home: How Workplace Emotional Labor Harms Employee Home Life (2013)Putting Identification in Motion: A Dynamic View of Organizational Identification (2019)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Studying Popular Music (1990)Running with the devil: power, gender, and madness in heavy metal music (1993)Club cultures: music, media and subcultural capital (1996)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Femvertising or femwashing? Women's perceptions of authenticity (2022)A Sweet Lullaby for World Music (2000)Music and the Global Order (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Techniques to Identify Themes (2003)A Qualitative Framework for Collecting and Analyzing Data in Focus Group Research (2009)Purposeful Sampling for Qualitative Data Collection and Analysis in Mixed Method Implementation Research (2013)Crafting Brand Authenticity: The Case of Luxury Wines* (2005)Measuring consumer-based brand authenticity (2013)Authenticity as a concept in tourism research (2002)Authenticity & aura (2011)To See and Be Seen: Celebrity Practice on Twitter (2011)Consumer Perceptions of Iconicity and Indexicality and Their Influence on Assessments of Authentic Market Offerings (2004)Social Entrepreneurship: Why We Don't Need a New Theory and How We Move Forward From Here (2010)Cultural economy: a critical review (2005)The Modalities of Nostalgia (2006)Metrolingualism: fixity, fluidity and language in flux (2009)Negotiating Hegemonic Masculinity: Imaginary Positions and Psycho-Discursive Practices (1999)Telling Identities: In Search of an Analytic Tool for Investigating Learning as a Culturally Shaped Activity (2005)Toward a Tribal Critical Race Theory in Education (2005)
this work references cited by second hop

References

  • 2002Research methods in anthropology: qualitative and quantitative approaches5,638 cited
  • 1997Questions of Cultural Identity4,250 cited
  • 1997Creating Country Music702 cited
  • 2005In Search of Authenticity*563 cited
  • 2016Authenticity in Culture, Self, and Society519 cited
  • 1998In search of authenticity: the formation of folklore studies510 cited
  • 2002Authenticity as authentication485 cited
  • 2004Blue Chicago: the search for authenticity in urban blues clubs430 cited
  • 2003Sound Tracks423 cited
  • 1998Global Pop: World Music, World Markets402 cited
  • 1998In Search of Authenticity: The Formation of Folklore Studies370 cited
  • 2020Occupational Subcultures in the Workplace321 cited
  • 2004The Oxford Handbook of Aesthetics286 cited
  • 2009The organizational construction of authenticity: An examination of contemporary food and dining in the U.S.267 cited
  • 2017How Popular Musicians Learn223 cited
  • 1996Occupational Subcultures in the Workplace.217 cited

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  • 2021Authenticity: Meanings, targets, audiences and third parties14 cited