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Fe K-edge XANES of Maya blue pigment
8 references·6 citing·37 second hop
Fe K-edge XANES of Maya blue pigment (2005)Fe K-edge XANES of Maya blue pigmentMicroanalysis study of archaeological mural samples containing Maya blue pigment (2004)Microanalysis study of archae…Copper in glazes of Renaissance luster pottery: Nanoparticles, ions, and local environment (2003)Copper in glazes of Renaissan…Maya blue: application of XAS and HRTEM to materials science in art and archaeology (2002)Maya blue: application of XAS…Fe and Mn K-edge XANES study of ancient Roman glasses (2002)Fe and Mn K-edge XANES study …Maya Blue Paint: An Ancient Nanostructured Material (1996)Maya Blue Paint: An Ancient N…JET TRANSPORT OF ART OBJECTS (1967)JET TRANSPORT OF ART OBJECTSÉtude et Identification du 'Bleu Maya' (1967)Étude et Identification du 'B…Maya Blue: A Clay-Organic Pigment? (1966)Maya Blue: A Clay-Organic Pig…Further Insight into Mesoamerican Paint Technology: Unveiling the Colour Palette of the Pre‐Columbian Codex Fejérváry‐Mayer by Means of Non‐invasive Analysis (2018)Further Insight into Mesoamer…Pottery, Glass and Enamelled Artefacts: How to Extract Information on their Manufacture Technology, Origin and Age? (2012)Pottery, Glass and Enamelled …On the role of tannins and iron in the Bogolan or mud cloth dyeing process (2012)On the role of tannins and ir…The Grolier Codex: A Non Destructive Study of a Possible Maya Document using Imaging and Ion Beam Techniques (2007)The Grolier Codex: A Non Dest…Decorated pottery study: Analysis of pigments by x-ray absorbance spectroscopy measurements (2007)Decorated pottery study: Anal…PIXE analysis on Maya blue in Prehispanic and colonial mural paintings (2006)PIXE analysis on Maya blue in…Maya Blue: An Unsolved Problem in Ancient Pigments (1962)Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques (2004)MAYA BLUE AND PALYGORSKITE: A second possible pre-Columbian source (2005)On the Raman spectrum of Maya blue (2006)Painting Materials: A Short Encyclopedia (2011)Lustre Pottery: Technique, Tradition and Innovation in Islam and the Western World (1985)Luster Pottery from the Thirteenth Century to the Sixteenth Century: A Nanostructured Thin Metallic Film (2001)Non‐destructive Raman study of the glazing technique in lustre potteries and faience (9–14th centuries): silver ions, nanoclusters, microstructure and processing (2004)Craft and science: International perspectives on archaeological ceramics (2014)Pigments — Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products (2021)Compositional Categories of Ancient Glass (1961)THE RAW MATERIALS OF EARLY GLASS PRODUCTION (1985)ARCHAEOMETRICAL INVESTIGATION OF SICILIAN EARLY BYZANTINE GLASS: CHEMICAL AND SPECTROSCOPIC DATA* (2009)A XANES study of chromophores in archaeological glass (2012)X–Ray Based Methods of Analysis (2013)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)THE CHALLENGE OF ‘TECHNOLOGICAL CHOICES’FOR MATERIALS SCIENCE APPROACHES IN ARCHAEOLOGY* (2000)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Portuguese Blue‐on‐Blue 16th–17th Century Pottery (2018)Breaking Preconceptions: Thin Section Petrography For Ceramic Glaze Microstructures (2019)Glazes and Enamels (2021)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Identification of Indigo Dye (Indigofera tinctoria) and Its Degradation Products by Separation and Spectroscopic Techniques on Historic Documents and Textile Fibers (2020)Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)SYNTHESIS AND ACID RESISTANCE OF MAYA BLUE PIGMENT* (2006)Imaging Mass Spectrometry with a Low‐Temperature Plasma Probe for the Analysis of Works of Art (2010)Maya Blue: A Computational and Spectroscopic Study (2005)Electrochemical monitoring of indigo preparation using Maya’s ancient procedures (2007)Raman and infrared studies of synthetic Maya pigments as a function of heating time and dye concentration (2007)The Maya Blue Pigment (2011)Blue natural organic dyestuffs—from textile dyeing to mural painting. Separation and characterization of coloring matters present in elderberry, logwood and indigo (2006)The first direct evidence for the production of Maya Blue: rediscovery of a technology (2008)From Maya Blue to “Maya Yellow”: A Connection between Ancient Nanostructured Materials from the Voltammetry of Microparticles (2011)Indigo chemisorption in sepiolite. Application to Maya blue formation (2006)Voltammetric methods applied to identification, speciation, and quantification of analytes from works of art: an overview (2009)Aged Natural and Synthetic Maya Blue-Like Pigments: What Difference Does It Make? (2012)
this work references cited by second hop

References

  • 1996Maya Blue Paint: An Ancient Nanostructured Material249 cited
  • 1966Maya Blue: A Clay-Organic Pigment?245 cited
  • 2003Copper in glazes of Renaissance luster pottery: Nanoparticles, ions, and local environment128 cited
  • 1967Étude et Identification du 'Bleu Maya'81 cited
  • 2004Microanalysis study of archaeological mural samples containing Maya blue pigment66 cited
  • 2002Maya blue: application of XAS and HRTEM to materials science in art and archaeology57 cited
  • 2002Fe and Mn K-edge XANES study of ancient Roman glasses42 cited
  • 1967JET TRANSPORT OF ART OBJECTS36 cited

Cited by

  • 2018Further Insight into Mesoamerican Paint Technology: Unveiling the Colour Palette of the Pre‐Columbian Codex Fejérváry‐Mayer by Means of Non‐invasive Analysis22 cited
  • 2012Pottery, Glass and Enamelled Artefacts: How to Extract Information on their Manufacture Technology, Origin and Age?19 cited
  • 2006PIXE analysis on Maya blue in Prehispanic and colonial mural paintings19 cited
  • 2012On the role of tannins and iron in the Bogolan or mud cloth dyeing process18 cited
  • 2007Decorated pottery study: Analysis of pigments by x-ray absorbance spectroscopy measurements14 cited
  • 2007The Grolier Codex: A Non Destructive Study of a Possible Maya Document using Imaging and Ion Beam Techniques

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9 cited