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Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre’s Every Year, Every Day, I Am Walking
13 references·1 citing·40 second hop
Victimhood, Hope and the Refugee Narrative: Affective Dialectics in Magnet Theatre’s Every Year, Every Day, I Am Walking (2012)Victimhood, Hope and the Refugee Narrativ…Trauma, Authenticity and the Limits of Verbatim (2011)Trauma, Authenticity and the …Performance Affects: Applied Theatre and the End of Effect (2009)Performance Affects: Applied …Performance Affects (2009)Performance AffectsGet real: documentary theatre past and present (2009)Get real: documentary theatre…Get Real: Documentary Theatre Past and Present (2009)Get Real: Documentary Theatre…Exile and Return Among the East Timorese (2006)Exile and Return Among the Ea…Hope and the Meaningful Life: Theoretical and Empirical Associations Between Goal–Directed Thinking and Life Meaning (2005)Hope and the Meaningful Life:…Wasted Lives: Modernity and Its Outcasts (2003)Wasted Lives: Modernity and I…Trauma and the Memory of Politics (2003)Trauma and the Memory of Poli…Against Paranoid Nationalism: Searching for Hope in a Shrinking Society (2003)Against Paranoid Nationalism:…What Was Performance? (2001)What Was Performance?Change on Whose Terms? Testimony and an Erotics of Injury (2001)Change on Whose Terms? Testim…Transgressive Storytelling or an Aesthetic of Injury: Performance, Pedagogy and Ethics (1999)Transgressive Storytelling or…Theater for Development (2014)Theater for DevelopmentAn Inventory for Measuring Depression (1961)Manual for the State-Trait Anxiety Inventory (1970)The will and the ways: Development and validation of an individual-differences measure of hope. (1991)Hope Therapy in a Community Sample: A Pilot Investigation (2006)Handbook of Positive Psychology in Schools (2014)Life is pretty meaningful. (2014)Critical Theory and Performance (1993)Unmarked: The Politics of Performance (1994)Lost Subjects, Contested Objects: Toward a Psychoanalytic Inquiry of Learning (1998)Refugee performance: aesthetic representation and accountability in playback theatre (2008)Discipline and Punish: The Birth of the Prison. (1978)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)The sublime object of ideology (1990)Algorithmic War: Everyday Geographies of the War on Terror (2009)Deleuze and the Anthropology of Becoming (2010)Theorizing emotions in world politics (2014)The Nation-State and Its Others: In Lieu of a Preface (1991)The Politics of Recognition (1995)The place which is diaspora: Citizenship, religion and gender in the making of chaordic transnationalism (2002)The Acehnese diaspora after the Helsinki Memorandum of Understanding: return challenges and diasporic post-conflict transformations (2011)Im/mobile subjects: identity, conflict and emotion work among East Timorese Meto diaspora (2017)Divided Loyalties: Displacement, belonging and citizenship among East Timorese in West Timor (2018)Interrupting Flow: Researching Play, Performance and Immersion in Festival Scenes (2013)Arts and humanities research evaluation: no metrics please, just data (2015)Performing care (2020)Escape Routes: Control and Subversion in the Twenty-First Century (2008)Phenomenological Approaches in Anthropology (2010)Suffering, hope, and entrapment: Resilience and cultural values in Afghanistan (2010)IMPERIAL DEBRIS: Reflections on Ruins and Ruination (2008)Another Politics of Life is Possible (2009)Globalizing education policy (2010)To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire (2013)Theatre and War (2016)The Drama Spiral: A Decision-Making Model for Safe, Ethical, and Flexible Practice when Incorporating Personal Stories in Applied Theatre and Performance (2017)After Cultural Theory: The Power of Images, the Lure of Immediacy (2012)The Implicated Witness: Towards a Relational Aesthetic in Dramatherapy (2012)Framing a Phenomenological Mixed Method: From Inspiration to Guidance (2021)Introduction: Dramaturgy of the Real (2010)Preventing violent extremism and ‘Not in My Name’: theatrical representation, artistic responsibility and shared vulnerability (2011)Drama (2019)
this work references cited by second hop

References

  • 2003Wasted Lives: Modernity and Its Outcasts2,065 cited
  • 2003Trauma and the Memory of Politics1,075 cited
  • 2003Against Paranoid Nationalism: Searching for Hope in a Shrinking Society798 cited
  • 2005Hope and the Meaningful Life: Theoretical and Empirical Associations Between Goal–Directed Thinking and Life Meaning451 cited
  • 2009Performance Affects249 cited
  • 2009Get Real: Documentary Theatre Past and Present157 cited
  • 2009Performance Affects: Applied Theatre and the End of Effect149 cited
  • 2001Change on Whose Terms? Testimony and an Erotics of Injury59 cited
  • 2006Exile and Return Among the East Timorese59 cited
  • 2009Get real: documentary theatre past and present43 cited
  • 1999Transgressive Storytelling or an Aesthetic of Injury: Performance, Pedagogy and Ethics37 cited
  • 2001What Was Performance?33 cited
  • 2011Trauma, Authenticity and the Limits of Verbatim32 cited

Cited by

  • 2014Theater for Development10 cited

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