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Raman mapping analysis of pigments from Proas Iluminadas by Quinquela Martín
11 references·3 citing·26 second hop
Raman mapping analysis of pigments from Proas Iluminadas by Quinquela Martín (2012)Raman mapping analysis of pigments from P…Advances in Raman mapping of works of art (2010)Advances in Raman mapping of …Multispectral and hyperspectral image analysis of elemental and micro-Raman maps of cross-sections from a 16th century painting (2008)Multispectral and hyperspectr…A Decade of Raman Spectroscopy in Art and Archaeology (2007)A Decade of Raman Spectroscop…Raman imaging of ancient rust scales on archaeological iron artefacts for long‐term atmospheric corrosion mechanisms study (2006)Raman imaging of ancient rust…Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Catalogue of 45 reference Ram…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Confocal Raman spectroscopic study of painted medieval manuscripts (2001)Confocal Raman spectroscopic …Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Art in the Making: Impressionism (1993)Art in the Making: Impression…The Artist's Handbook of Materials and Techniques (1983)The Artist's Handbook of Mate…The Artist's Handbook of Materials and Techniques (1940)The Artist's Handbook of Mate…The palette of Pio Collivadino (1869–1945) throughout his career (2020)The palette of Pio Collivadin…Stratigraphic EM-EDS, XRF, Raman and FT-IR analysis of multilayer paintings from the Main Altar of the St. James Church in Levoča (Slovakia) (2018)Stratigraphic EM-EDS, XRF, Ra…Raman mapping of the S3− chromophore in degraded ultramarine blue paints (2017)Raman mapping of the S3− chro…Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Benefits of applying combined diffuse reflectance FTIR spectroscopy and principal component analysis for the study of blue tempera historical painting (2008)Unexpected Materials in a Rembrandt Painting Characterized by High Spatial Resolution Cluster-TOF-SIMS Imaging (2011)XRF, μ-XRD and μ-spectroscopic techniques for revealing the composition and structure of paint layers on polychrome sculptures after multiple restorations (2011)Modern analytical methods in art and archaeology (2000)Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Corrosion of iron archaeological artefacts in soil: characterisation of the corrosion system (2004)Buried iron archaeological artefacts: Corrosion mechanisms related to the presence of Cl-containing phases (2007)Raman Studies of Corrosion Layers Formed on Archaeological Irons in Various Media (2009)Analytical chemistry in the field of cultural heritage (2015)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Jackson Pollock’s Number 1A, 1948: a non-invasive study using macro-x-ray fluorescence mapping (MA-XRF) and multivariate curve resolution-alternating least squares (MCR-ALS) analysis (2016)Investigation on the process of lead white blackening by Raman spectroscopy, XRD and other methods: Study of Cimabue’s paintings in Assisi (2018)Pigments, dyes and inks: their analysis on manuscripts, scrolls and papyri (2021)Chemical Education: Towards Research-based Practice (2003)Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884) (2007)Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Spectromicroscopic Methods. 3. Synthesis, Characterization, and Detection of Different Crystal Forms of the Chrome Yellow Pigment (2012)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)The identification by Raman microscopy and X-ray diffraction of iron-oxide pigments and of the red pigments found on Italian pottery fragments (1998)Study of Burseraceae resins used in binding media and varnishes from artworks by gas chromatography–mass spectrometry and pyrolysis-gas chromatography–mass spectrometry (2005)Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings (2010)Raman microscopy in archaeological science (2004)Raman spectroscopic discrimination of pigments and tempera paint model samples by principal component analysis on first‐derivative spectra (2010)Study of the chemical composition and the mechanical behaviour of 20th century commercial artists' oil paints containing manganese-based pigments (2015)
this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2003Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass422 cited
  • 2007A Decade of Raman Spectroscopy in Art and Archaeology383 cited
  • 2006Raman imaging of ancient rust scales on archaeological iron artefacts for long‐term atmospheric corrosion mechanisms study242 cited
  • 1940The Artist's Handbook of Materials and Techniques122 cited
  • 1983The Artist's Handbook of Materials and Techniques105 cited
  • 2008Multispectral and hyperspectral image analysis of elemental and micro-Raman maps of cross-sections from a 16th century painting77 cited
  • 1993Art in the Making: Impressionism69 cited
  • 2010Advances in Raman mapping of works of art52 cited
  • 2001Confocal Raman spectroscopic study of painted medieval manuscripts41 cited

Cited by

  • 2018Stratigraphic EM-EDS, XRF, Raman and FT-IR analysis of multilayer paintings from the Main Altar of the St. James Church in Levoča (Slovakia)14 cited
  • 2017Raman mapping of the S3− chromophore in degraded ultramarine blue paints11 cited

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  • 2020The palette of Pio Collivadino (1869–1945) throughout his career9 cited