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Rhapsody in red: how Western classical music became Chinese
0 references·16 citing·45 second hop
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  • 2007East Meets West in the Concert Hall: Asians and Classical Music in the Century of Imperialism, Post-Colonialism, and Multiculturalism82 cited
  • 2011Why Chinese people play Western classical music: Transcultural roots of music philosophy57 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2021Piano learning in the context of schooling during China’s ‘Piano craze’ and beyond: motivations and pathways49 cited
  • 2011‘The Condition of M ozart ’: Mozart Year 2006 and the New Vienna46 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2015“Music for a National Defense”: Making Martial Music during the Anti-Japanese War42 cited
  • 2011Introduction to the Special Issue: The Ethnomusicology of Western Art Music40 cited
  • 2008Performing “Chineseness” on the Western Concert Stage: The Case of Lang Lang33 cited
  • 2010"Eight Stage Works for 800 Million People"*: The Great Proletarian Cultural Revolution in Music--A View from Revolutionary Opera29 cited
  • 2015Non-Western national music and empire in global history: interactions, uniformities, and comparisons27 cited
  • 2012AARON AVSHALOMOV AND NEW CHINESE MUSIC IN SHANGHAI, 1931–194722 cited
  • 2013Western Art Music in Japan: A Success Story?21 cited

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2009
Interlopers in the Realm of High Culture: “Music Moms” and the Performance of Asian and Asian American Identities
21 cited
  • 2024Music, Encounter, Togetherness17 cited
  • 2022How popular music pedagogy is integrated in the diverse environment of international school education in China: A case study in Shanghai10 cited