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Several archivists have identified various stages of performing arts processes during which records are created and can therefore be preserved. The records of performing arts organizations—particularly those directly related to the creative process such as set design or costume design, recordings of performances, and so forth—can become the source of inspiration for further performance. However, performing arts organizations must perform administrative functions that support the primary role of performance. Can evidence of the artistic process be discovered and utilized in these administrative records? This article examines the records of Alberta Ballet, housed at the Provincial Archives of Alberta, to identify intersections between creation and administration.
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Stored only when both papers are in the corpus — 3 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.