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John Marsh and the Ancient-Modern Polemic
9 references·4 citing·33 second hop
John Marsh and the Ancient-Modern Polemic (2002)John Marsh and the Ancient-Modern PolemicAncients and Moderns: William Crotch and the Development of Classical Music (1999)Ancients and Moderns: William…The Pleasures of the Imagination: English Culture in the Eighteenth Century (1998)The Pleasures of the Imaginat…History and Biography (1996)History and BiographyConcert Life in London from Mozart to Haydn (1995)Concert Life in London from M…The Intellectual Origins of Musical Canon in Eighteenth-Century England (1994)The Intellectual Origins of M…The rise of musical classics in eighteenth-century England: a study in canon, ritual, and ideology (1993)The rise of musical classics …The 1784 Handel Commemoration as Political Ritual (1989)The 1784 Handel Commemoration…The Twickenham Edition of the Poems of Alexander Pope. (1945)The Twickenham Edition of the…Historical memoirs of the Irish bards (1818)Historical memoirs of the Iri…Stop the Press? The Changing Media of Music Criticism (2019)Stop the Press? The Changing …Music Criticism in Norway (2019)Music Criticism in NorwayCritiquing the Canon: The Role of Criticism in Canon Formation (2019)Critiquing the Canon: The Rol…Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century (2019)Constructing a Musical Nation…Party Ideology and Popular Politics at the Accession of George III (1976)The New Grove Dictionary of Music and Musicians (1981)The Birth of a Consumer Society: The Commercialization of Eighteenth-Century England. (1983)London: a City of Unrivalled Riches (1989)The agency of dead musicians (2015)The Rise of the Novel: Studies in Defoe, Richardson, and Fielding (1960)The Rise of the Novel: Studies in Defoe, Richardson, and Fielding (1960)The New Grove dictionary of music and musicians (2001)‘The little that I have done is already gone and forgotten’:Farinelli and Burney Write Music History (2015)The Polyphonic Mass in France, 1600–1780 (2017)The marketing of concerts in London 1672–1749 (2020)Distinction. A Social Critique of the Judgement of Taste (1985)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Oxford Dictionary of National Biography (2004)Classical scholarship and literary criticism (1997)The Cambridge History of English Poetry (2010)The British aesthetic tradition: from Shaftesbury to Wittgenstein (2013)The characteristic symphony in the age of Haydn and Beethoven (2003)The Picturesque Oratorio: Haydn's Art in Nature's Clothing (2012)Mozart's Requiem: reception, work, completion (2013)The early Enlightenment debate on commerce and luxury (2006)The English system of liberty (2006)Biography and Historiography: Mutual Evidentiary and Interdisciplinary Considerations (2009)The Professionalization of Women Writers in Eighteenth-Century Britain (2005)Space-form and the acousmatic image (2007)The Anthropology of Texts, Persons and Publics (2007)How German Is It? Nationalism and the Idea of Serious Music in the Early Nineteenth Century (1998)Theories of genre (2000)Middle-Status Conformity Revisited: The Interplay between Achieved and Ascribed Status (2018)Gaelic Antiquity and National Identity in Enlightenment Ireland and Scotland (1994)Sounds of Sedition: Music and Emotion in Ireland, 1780–1845 (2014)Writing about Popular Music (2019)Music and the Sonorous Sublime in European Culture, 1680–1880 (2020)
this work references cited by second hop

References

  • 1998The Pleasures of the Imagination: English Culture in the Eighteenth Century498 cited
  • 1993The rise of musical classics in eighteenth-century England: a study in canon, ritual, and ideology129 cited
  • 1945The Twickenham Edition of the Poems of Alexander Pope.112 cited
  • 1999Ancients and Moderns: William Crotch and the Development of Classical Music77 cited
  • 1995Concert Life in London from Mozart to Haydn67 cited
  • 1818Historical memoirs of the Irish bards60 cited
  • 1996History and Biography52 cited
  • 1994The Intellectual Origins of Musical Canon in Eighteenth-Century England17 cited
  • 1989The 1784 Handel Commemoration as Political Ritual15 cited

Cited by

  • 2019Stop the Press? The Changing Media of Music Criticism5 cited
  • 2019Critiquing the Canon: The Role of Criticism in Canon Formation4 cited
  • 2019Music Criticism in Norway3 cited
  • 2019Constructing a Musical Nation: German-Language Criticism in the Nineteenth Century3 cited

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