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Mathematical and computational modelling within a music analysis framework: motivic topologies as a case study
13 references·0 citing·36 second hop
Mathematical and computational modelling within a music analysis framework: motivic topologies as a case study (2012)Mathematical and computational modelling …The Topos of Music (2018)The Topos of MusicCan computational music analysis be both musical and computational? (2010)Can computational music analy…Representations of motivic spaces of a score in OpenMusic (2008)Representations of motivic sp…Motivic analysis according to Rudolph Réti: formalization by a topological model (2008)Motivic analysis according to…Using Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project (2004)Using Complex Set Theory for …The Topos of Music (2002)The Topos of MusicFrom Contour Similarity to Motivic Topologies (2000)From Contour Similarity to Mo…Musical Coherence, Motive, and Categorization (1999)Musical Coherence, Motive, an…New Directions in the Theory and Analysis of Musical Contour (1993)New Directions in the Theory …Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’ (1992)Diversity and commonality in …Fondements d'une semiologie de la musique (1976)Fondements d'une semiologie d…Music Analysis and the Computer (1968)Music Analysis and the Comput…The Thematic Process in Music (1951)The Thematic Process in MusicThe Structure of Atonal Music (1973)The Structure of Atonal Music (1974)Introduction to gestural similarity in music. An application of category theory to the orchestra (2018)Family resemblances: Studies in the internal structure of categories (1975)Basic objects in natural categories (1976)Women, Fire, and Dangerous Things: What Categories Reveal about the Mind (1988)Associative Sets, Categories, and Music Analysis (2004)Strukturell vermittelte Magie. Kognitionswissenschaftliche Annäherungen an Helmut Lachenmanns Pression und Allegro Sostenuto (2008)Design for Change: Creating Significant Learning Experiences in the Music Classroom (2016)Musical expression, accents, nuances, and tempo, in vocal and instrumental music (1900)Form and performance (1962)EXPERT AND EXCEPTIONAL PERFORMANCE: Evidence of Maximal Adaptation to Task Constraints (1996)Music Performance Research at the Millennium (2003)Sensorimotor synchronization: A review of the tapping literature (2005)Melodic Contour Typology (1976)A Methodology for the Discussion of Contour: Its Application to Schoenberg's "Music" (1985)Relating Musical Contours: Extensions of a Theory for Contour (1987)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)Generalized Voice-Leading Spaces (2008)Grouping Hierarchy and Trajectories of Pacing in Performances of Chopin’s Mazurkas (2012)A Guide to Musical Analysis (1988)The classical style: Haydn, Mozart, Beethoven (1997)Counselling a better relationship between mathematics and musicology (2012)Thinking music with precision, depth, and passion (2012)A New Similarity Measurement of Pitch Contour for Analyzing 20th- and 21st-century Music: The Minimally Divergent Contour Network (2013)The Geometry of Musical Chords (2006)Logic in Reality (2008)A geometry of music: harmony and counterpoint in the extended common practice (2012)Border Crossings: A Commentary on Henkjan Honing's "On the Growing Role of Observation, Formalization and Experimental Method in Musicology" (2006)B ird's‐ E ye V iews of the M usical S urface : M ethods for S ystematic P itch ‐C lass S et A nalysis (2007)Spelled Heptachords (2011)The Living Work: Organicism and Musical Analysis (1980)Epistemologies of music theory (2002)Some Problems of Theory and Method in the Study of Musical Change (1977)Ethnomusicology, Ethnomathematics. The Logic Underlying Orally Transmitted Artistic Practices (2002)Musicology and the semiotics of popular music (2010)
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References

  • 1992Diversity and commonality in music performance: An analysis of timing microstructure in Schumann’s ‘‘Träumerei’’358 cited
  • 1951The Thematic Process in Music295 cited
  • 2002The Topos of Music153 cited
  • 1976Fondements d'une semiologie de la musique125 cited
  • 2018The Topos of Music110 cited
  • 1993New Directions in the Theory and Analysis of Musical Contour106 cited
  • 1999Musical Coherence, Motive, and Categorization30 cited
  • 2000From Contour Similarity to Motivic Topologies24 cited
  • 2008Motivic analysis according to Rudolph Réti: formalization by a topological model15 cited
  • 2004Using Complex Set Theory for Tonal Analysis: an Introduction to the Tonalities Project11 cited
  • 2010Can computational music analysis be both musical and computational?10 cited
  • 1968Music Analysis and the Computer9 cited
  • 2008Representations of motivic spaces of a score in OpenMusic6 cited

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