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They stole the show!: Indian films in coastal Tanzania, 1950s1980s
13 references·2 citing·36 second hop
They stole the show!: Indian films in coastal Tanzania, 1950s1980s (2010)They stole the show!: Indian films in coa…International Journal of African Historical Studies (2014)International Journal of Afri…"Baad Bitches" and Sassy Supermamas: Black Power Action Films (2008)"Baad Bitches" and Sassy Supe…INDIAN CINEMA'S GLOBAL REACH (2006)INDIAN CINEMA'S GLOBAL REACHBollyworld: popular Indian cinema through a transnational lens (2006)Bollyworld: popular Indian ci…Democratizing Cinema and Censorship in Tanzania, 1920-1980 (2005)Democratizing Cinema and Cens…Bandiri Music, Globalization, and Urban Experience in Nigeria (2004)Bandiri Music, Globalization,…Popular Films and Colonial Audiences: The Movies in Northern Rhodesia (2001)Popular Films and Colonial Au…Indian films and Nigerian lovers: media and the creation of parallel modernities (1997)Indian films and Nigerian lov…Veils and Videos: Female Youth Culture on the Kenyan Coast (1994)Veils and Videos: Female Yout…Hollywood in Berlin (1994)Hollywood in BerlinCultural imperialism: a critical introduction (1992)Cultural imperialism: a criti…Mass communication and development of socialism in Tanzania (1981)Mass communication and develo…A Survey of Dar es Salaam (1964)A Survey of Dar es SalaamEffects of Turkish cultural products on its foreign policy toward Africa: Turkish TV series as an example of soft power in Kenya, Mozambique, and Senegal (2023)Effects of Turkish cultural p…Locating the Moving Image (2013)Locating the Moving ImageVeiled Sentiments: Honor and Poetry in a Bedouin Society (1987)Recapturing anthropology: working in the present (1992)Cultural Complexity: Studies in the Social Organization of Meaning. (1994)Culture, Globalization, Mediation (2004)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)World Cinemas, Transnational Perspectives (2009)The Production of Space (1992)Modernity at Large: Cultural Dimensions of Globalization. (1998)As Makkah is sweet and beloved, so is Madina: Islam, devotional genres, and electronic mediation in Mauritius (2006)Space, place and gender (2007)A History of African Popular Culture (2017)Sounding Islam: Voice, Media, and Sonic Atmospheres in an Indian Ocean World (2018)Changing forms of transnationalism (2009)Concepts of transnational cinema: towards a critical transnationalism in film studies (2010)COSMOPOLITANISM, REMEDIATION, AND THE GHOST WORLD OF BOLLYWOOD (2010)Local, Global or Globalized? (1996)Production and consumption of European cultural tourism (1996)Pop culture, destination images, and visit intentions: Theory and research on travel motivations of Chinese and Russian tourists (2015)Poverty, Male Disempowerment, and Male Sexuality: Rethinking Men and Masculinities in Rural and Urban East Africa (2005)Youth, the TANU Youth League and Managed Vigilantism in Dar es Salaam, Tanzania, 1925-73 (2006)DANCEHALL POLITICS: MOBILITY, SEXUALITY, AND SPECTACLES OF RACIAL RESPECTABILITY IN LATE COLONIAL TANGANYIKA, 1930s–1961 (2011)Shoving aside the politics of respectability: black women, reality TV, and the ratchet performance (2014)Here’s looking at her: an intersectional analysis of women, power and feminism in film (2016)The Bad Bitch Barbie Craze and Beyoncé African American Women’s Bodies as Commodities in Hip-Hop Culture, Images, and Media (2018)Sites of reality: Constructing press photography in Weimar Germany, 1928–33 (1996)The Blue Angel in Multiple-Language Versions (2007)A Foreign Affair : Billy Wilder's American Films (2008)Explaining the apartheid city: 20 years of South African urban historiography (1995)Rethinking the state in Idi Amin's Uganda: the politics of exhortation (2013)Decolonial AI: Decolonial Theory as Sociotechnical Foresight in Artificial Intelligence (2020)The Italian Colonial Cinema: Agendas and Audiences (2005)Tropical Cowboys: Westerns, Violence, and Masculinity among the Young Bills of Kinshasa (2009)Projecting the Modern Colonial State: The Mobile Cinema in Kenya (2011)Globalizing the Facts of Life (2005)The Kothi Wars (2005)The power of continuity: Ethiopia through the eyes of its children (2005)
this work references cited by second hop

References

  • 1992Cultural imperialism: a critical introduction616 cited
  • 1997Indian films and Nigerian lovers: media and the creation of parallel modernities445 cited
  • 2014International Journal of African Historical Studies177 cited
  • 1994Veils and Videos: Female Youth Culture on the Kenyan Coast112 cited
  • 2006Bollyworld: popular Indian cinema through a transnational lens86 cited
  • 1994Hollywood in Berlin79 cited
  • 2001Popular Films and Colonial Audiences: The Movies in Northern Rhodesia71 cited
  • 2004Bandiri Music, Globalization, and Urban Experience in Nigeria68 cited
  • 2008"Baad Bitches" and Sassy Supermamas: Black Power Action Films66 cited
  • 1964A Survey of Dar es Salaam48 cited
  • 1981Mass communication and development of socialism in Tanzania25 cited
  • 2006INDIAN CINEMA'S GLOBAL REACH22 cited
  • 2005Democratizing Cinema and Censorship in Tanzania, 1920-198020 cited

Cited by

  • 2013Locating the Moving Image12 cited
  • 2023Effects of Turkish cultural products on its foreign policy toward Africa: Turkish TV series as an example of soft power in Kenya, Mozambique, and Senegal9 cited

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