Bollyworld: popular Indian cinema through a transnational lens

Abstract

PART ONE: TOPOGRAPHIES Not Quite (Pearl) White - Rosie Thomas Fearless Nadia, Queen of the Stunts Figures of Locality and Tradition - Kajri Jain Commercial Cinema and the Networks of Visual Icons and Events - Gayatri Chatterjee Reinventing Visual Construction in Cinema in India Reflected Readings in Available Light - Shuddhabrata Sengupta Cameramen in the Shadows of Hindi Cinema PART TWO: TRANS-ACTIONS Sexuality, Sensuality and Belonging - Geetanjali Gangoli Representations of the `Anglo-Indian' and the `Western' Woman in Hindi Cinema `Fight Club' - Koushik Banerje Aesthetics, Hybridisation and the Construction of Rogue Masculinities in Sholay and Deewar The Consumable Hero of Globalised India - Sudhanva Deshpande PART THREE: TRAVELS The Scattered Homelands of the Migrant - Christiane Brosius Bollyworld through the Diasporic Lens In Search of the Diasporic Self - Thomas Blom Hansen Bollywood in South Africa Belonging and Respect Notions vis-a-vis Modern East Indians - Narmala Halstead Hindi Movies in the Guyanese East Indian Diaspora Bandiri Music, Globalisation and Urban Experience in Nigeria - Brian Larkin Cruising on the Vilayeti Bandwagon - Raminder Kaur Diasporic Representations and Reception of Popular Indian Movies

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