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Bollyworld: popular Indian cinema through a transnational lens
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  • 2010Concepts of transnational cinema: towards a critical transnationalism in film studies415 cited
  • 2010COSMOPOLITANISM, REMEDIATION, AND THE GHOST WORLD OF BOLLYWOOD75 cited
  • 2009Changing forms of transnationalism72 cited
  • 2010Locating Migrant and Diasporic Cinema in Contemporary Europe57 cited
  • 2016The soft power of popular cinema – the case of India35 cited
  • 2012The Aesthetics of Diaspora: Ownership and Appropriation33 cited
  • 2007‘Happy Diwali!’ Performance, Multicultural Soundscapes and Intervention in Aotearoa/New Zealand30 cited
  • 2008The ‘crossover’ audience: Mediated multiculturalism and the Indian film24 cited
  • 2007‘Is there no place like home?’19 cited
  • 2013Architectures of pirate film cultures: encounters with Korean Wave in “Northeast” India19 cited
  • 2017Practices in taste maintenance. The case of Indian diaspora markets17 cited
  • 2008Popular Hindi Film Song Sequences Set in the Indian Diaspora and the Negotiating of Indian Identity16 cited
  • 2010They stole the show!: Indian films in coastal Tanzania, 1950s1980s14 cited
  • 2011Atomic comics: Parabolic mimesis and the graphic fictions of science13 cited

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  • 2012A Million Media Now! The Rise of India on the Global Scene12 cited
  • 2011The Bollywood in Indian and American Perceptions12 cited