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An NMR and UV–visible spectroscopic study of the principal colored component of Stil de grain lake
4 references·2 citing·17 second hop
An NMR and UV–visible spectroscopic study of the principal colored component of Stil de grain lake (2005)An NMR and UV–visible spectroscopic study…Role of protolytic interactions in photo-aging processes of carminic acid and carminic lake in solution and painted layers (2001)Role of protolytic interactio…A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings (1998)A spectrophotometric and fluo…Fluorescence of Paint and Varnish Layers (Part III) (1982)Fluorescence of Paint and Var…Identification of organic colorants in art objects by solution spectrophotometry: Pigments (1981)Identification of organic col…P igments & dyes in a collection of medieval illuminations (14th–16th century) (2017)P igments & dyes in a collect…Analyses of Dye, Weaving and Metal Thr ead in Ott oman Silk Brocades and their Reproduction (2012)Analyses of Dye, Weaving and …High Performance Liquid Chromatography of Anthraquinones: Analysis of Plant and Insect Extracts and Dyed Textiles (1985)The Coccid Insect Dyes: HPLC and Computerized Diode-Array Analysis of Dyed Yarns (1989)High-performance liquid chromatographic determination of some anthraquinone and naphthoquinone dyes occurring in historical textiles (1999)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Further Insight into Mesoamerican Paint Technology: Unveiling the Colour Palette of the Pre‐Columbian Codex Fejérváry‐Mayer by Means of Non‐invasive Analysis (2018)New Insights into the Structure and Degradation of Alizarin Lake Pigments: Input of the Surface Study Approach (2020)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)UV-Vis spectroscopy (2018)Fiber Optics Reflectance Spectroscopy: A Unique Tool for the Investigation of Japanese Paintings (2001)Identification of indigoid dyes in natural organic pigments used in historical art objects by high‐performance liquid chromatography coupled to electrospray ionization mass spectrometry (2004)Photochemistry of Artists’ Dyes and Pigments: Towards Better Understanding and Prevention of Colour Change in Works of Art (2018)Identification des materiaux synthetiques dans les peintures modernes. II. pigments organiques et matiere picturale (1993)The application of x-ray powder diffraction for the analysis of synthetic organic pigments. Part 1: dry pigments (2009)The application of x-ray powder diffraction for the analysis of synthetic organic pigments. Part 2: artists’ paints (2009)
this work references cited by second hop

References

  • 1982Fluorescence of Paint and Varnish Layers (Part III)159 cited
  • 1998A spectrophotometric and fluorimetric study of some anthraquinoid and indigoid colorants used in artistic paintings135 cited
  • 2001Role of protolytic interactions in photo-aging processes of carminic acid and carminic lake in solution and painted layers32 cited
  • 1981Identification of organic colorants in art objects by solution spectrophotometry: Pigments25 cited

Cited by

  • 2017P igments & dyes in a collection of medieval illuminations (14th–16th century)15 cited
  • 2012Analyses of Dye, Weaving and Metal Thr ead in Ott oman Silk Brocades and their Reproduction8 cited

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