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Blackface, Rape, and Beyond: Rehearsing Interracial Dialogue in Sally's Rape
12 references·0 citing·29 second hop
Blackface, Rape, and Beyond: Rehearsing Interracial Dialogue in Sally's Rape (1996)Blackface, Rape, and Beyond: Rehearsing I…Theatre of the oppressed (2020)Theatre of the oppressedFeminists Theorize the Political (2013)Feminists Theorize the Politi…Ceramic Uncles and Celluloid Mammies: Black Images and Their Influence on Culture (2002)Ceramic Uncles and Celluloid …Love and Theft: Blackface Minstrelsy and the American Working Class. (1996)Love and Theft: Blackface Min…Acting Out (1993)Acting OutConflicts in Feminism (1992)Conflicts in FeminismSambo: The Rise and Demise of an American Jester (1988)Sambo: The Rise and Demise of…Between Men: English Literature and Male Homosocial Desire. (1985)Between Men: English Literatu…Women, Race and Class (1982)Women, Race and ClassThis Grotesque Essence: Plays from the American Minstrel Stage (1979)This Grotesque Essence: Plays…Toward an Anthropology of Women. (1976)Toward an Anthropology of Wom…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Discourse Analysis as Theory and Method (2002)Methodology of the Oppressed (2010)Rethinking Critical Theory and Qualitative Research (2011)Sounds Authentic: Black Music, Ethnicity, and the Challenge of a "Changing" Same (1991)Love and Theft: The Racial Unconscious of Blackface Minstrelsy (1992)Learning to make racism funny in the ‘color-blind’ era: Stand-up comedy students, performance strategies, and the (re)production of racist jokes in public (2013)The evolutionary psychology of men's coercive sexuality (1992)The Occult of True Black Womanhood: Critical Demeanor and Black Feminist Studies (1994)Club cultures: music, media and subcultural capital (1996)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Women with Mustaches and Men without Beards (2005)Translation, Rewriting, and the Manipulation of Literary Fame (2016)Queer Globalizations (2020)Critical Pedagogies and Language Learning (2004)Critical narrative analysis: the interplay of critical discourse and narrative analyses (2012)Social Design Experiments: Toward Equity by Design (2016)The Cambridge History of American Theatre (1998)Contemporary Black and Asian Women Playwrights in Britain (2003)Theory of Mind and Fictions of Embodied Transparency (2008)Hegemonic Masculinity (2005)The Complexity of Intersectionality (2005)Intersectionality and research in psychology. (2009)Doing Gender (1987)Identity and agency in cultural worlds (1999)Compulsory Heterosexuality and Lesbian Existence (1980) (2003)African American English: A Linguistic Introduction (2004)Hybrid Masculinities: New Directions in the Sociology of Men and Masculinities (2014)Signs of Difference (2019)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1985Between Men: English Literature and Male Homosocial Desire.3,019 cited
  • 2013Feminists Theorize the Political2,991 cited
  • 1976Toward an Anthropology of Women.2,892 cited
  • 2020Theatre of the oppressed1,521 cited
  • 1982Women, Race and Class1,087 cited
  • 1996Love and Theft: Blackface Minstrelsy and the American Working Class.809 cited
  • 1992Conflicts in Feminism228 cited
  • 1988Sambo: The Rise and Demise of an American Jester227 cited
  • 1993Acting Out176 cited
  • 2002Ceramic Uncles and Celluloid Mammies: Black Images and Their Influence on Culture173 cited
  • 1979This Grotesque Essence: Plays from the American Minstrel Stage33 cited

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