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Born for the muses: the life and masses of Jacob Obrecht
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Cited by

  • 2008“When in Rome……”: What Josquin Learned in the Sistine Chapel15 cited
  • 1996Josquin and Milan11 cited
  • 1996Galeazzo Maria Sforza and musical patronage in Milan: Compère, Weerbeke and Josquin11 cited
  • 2004Musical entrepreneurship in 15th-century Europe8 cited
  • 2013Werk — Performanz — Konsum: Der musikalische Werk-Diskurs5 cited
  • 2018Composing in Theory: Busnoys, Tinctoris, and the L'homme armé Tradition4 cited
  • 2002TheLiber selectarum cantionumand the "German Josquin Renaissance"4 cited
  • 1998Iudochus de Picardia and Jossequin Lebloitte dit Desprez: The Names of the Singer(s)3 cited
  • 2015The L’homme armé tradition – and the limits of musical borrowing2 cited
  • 2016A MUSIC BOOK FOR MARY TUDOR, QUEEN OF FRANCE2 cited
  • 2018Metsys’s Musician: A Newly Recognized Early Work1 cited

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