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The Fotonovela as a Tool for Class and Cultural Domination
2 references·16 citing·38 second hop
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this work references cited by second hop

References

  • 1975Six Guns and Society287 cited
  • 1974La Cultura como Empresa Multinacional75 cited

Cited by

  • 2005Hybridity in a transnational frame: Latin-Americanist and post-colonial perspectives on cultural studies53 cited
  • 2020Writing in Reverse: On the Project of the Latin American Subaltern Studies Group49 cited
  • 1978Communication and cultural domination: USA-Latin American case33 cited
  • 1993Notes on Modernity and Postmodernity in Latin American Culture33 cited
  • 1990Women watching together: An ethnographic study of Korean soap opera fans in the US28 cited
  • 2003Greening pesticides: A historical analysis of the social construction of farm chemical advertisements28 cited
  • 2004Mestizaje , Transculturation, Heterogeneity22 cited
  • 1988Media Imperialism and the Videocassette Recorder: The Case of Turkey20 cited
  • 2004Tears and Desire18 cited
  • 2004Caliban15 cited
  • 1979Changes in Women's Status in Women's Magazine Fiction: Differences by Social Class13 cited
  • 2004The Latino Imaginary10 cited
  • 2020The Photoromance9 cited
  • 1999

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WOMEN HOLLERING TRANSFRONTERIZA FEMINISMS
8 cited
  • 2004Mestizaje and Hybridity4 cited
  • 2004Would So Many Millions of People Not End Up Speaking English? The North American Culture and Mexico3 cited