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A DOLL'S HOUSE IN ASIA: JUXTAPOSITION OF TRADITION AND MODERNITY
10 references·0 citing·26 second hop
A DOLL'S HOUSE IN ASIA: JUXTAPOSITION OF TRADITION AND MODERNITY (2008)A DOLL'S HOUSE IN ASIA: JUXTAPOSITION OF …The Interpretation of Cultures (2017)The Interpretation of CulturesPerformance: A Critical Introduction (2017)Performance: A Critical Intro…Theatre at the Crossroads of Culture (2003)Theatre at the Crossroads of …The Japanese Theatre: From Shamanistic Ritual to Contemporary Pluralism (1996)The Japanese Theatre: From Sh…Signs of Performance: An Introduction to Twentieth-Century Theatre (1996)Signs of Performance: An Intr…Theatre at the Crossroads of Culture (1992)Theatre at the Crossroads of …Theatre as Sign System: A Semiotics of Text and Performance (1991)Theatre as Sign System: A Sem…The Japanese Theatre (1990)The Japanese TheatreBetween Theater and Anthropology (1985)Between Theater and Anthropol…The Interpretation of Cultures (1974)The Interpretation of CulturesTheatrical service experiences (2003)Cross-modal interactions in the perception of musical performance (2005)The Cambridge Introduction to Theatre Studies (2008)Performing tourism, staging tourism (2001)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)National Identity, Popular Culture and Everyday Life (2020)Abraham Lincoln as Authentic Reproduction: A Critique of Postmodernism (1994)New faces in new places: the changing geography of American immigration (2009)Formal Dining at Cambridge Colleges: Linking Ritual Performance and Institutional Maintenance (2010)The Anthropology of Theater and Spectacle (1993)Toward a Topography of Cross-Cultural Theatre Praxis (2002)Foreign Asia / Foreign Shakespeare: Dissenting Notes on New Asian Interculturality, Postcoloniality, and Recolonization (2004)Performing Furyu No: The Theatre of Konparu Zenpo (2005)Carmen Abroad (2020)The Return of theHabanera:Carmen’sEarly Reception in Latin America (2020)Culture in Action: Symbols and Strategies (1986)Managing Legitimacy: Strategic and Institutional Approaches (1995)Framing Processes and Social Movements: An Overview and Assessment (2000)C onceptualizing S pace : T he G eographic D imension of W orld T heatre (2011)Organizational Culture and Leadership (1986)Physical Images in the South African Theatre (1997)From Dramaturgy to Theatre as Technology: The Case of Corporate Theatre* (2003)Trafficking in Transnational Brands: The New “Broadway-Style” Musical (2014)Performing heritage: the use of live ‘actors’ in heritage presentations (2002)The Routledge Reader in Politics and Performance (2002)Stripping to the Undercoat: A Review and Reflections on a Piece of Organization Theatre (2004)
this work references cited by second hop

References

  • 1974The Interpretation of Cultures19,314 cited
  • 2017The Interpretation of Cultures16,509 cited
  • 1985Between Theater and Anthropology1,727 cited
  • 2017Performance: A Critical Introduction722 cited
  • 1992Theatre at the Crossroads of Culture221 cited
  • 1991Theatre as Sign System: A Semiotics of Text and Performance193 cited
  • 2003Theatre at the Crossroads of Culture132 cited
  • 1996The Japanese Theatre: From Shamanistic Ritual to Contemporary Pluralism105 cited
  • 1996Signs of Performance: An Introduction to Twentieth-Century Theatre71 cited
  • 1990The Japanese Theatre31 cited

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