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Analytical Photography: Portraiture, from the Index to the Epidermis
3 references·2 citing·17 second hop
Analytical Photography: Portraiture, from the Index to the Epidermis (2002)Analytical Photography: Portraiture, from…The Body and the Archive * (2017)The Body and the Archive *Photography between Narrativity and Stasis: August Sander, Degeneration, and the Decay of the Portrait (1996)Photography between Narrativi…The Originality of the Avant Garde and Other Modernist Myths (1988)The Originality of the Avant …Harvard’s Composite “Class” Pictures (2015)Harvard’s Composite “Class” P…Representations or people? (2002)Representations or people?Life on the Screen: Identity in the Age of the Internet (1997)Camera Lucida: Reflections on Photography (2001)Ethical issues in qualitative research on internet communities (2001)Internet research: privacy, ethics and alienation: an open source approach (2004)Researching Personal Information on the Public Web (2010)Composite Portraits, Made by Combining Those of Many Different Persons Into a Single Resultant Figure. (1879)Semiotics: An introductory anthology (1985)Controlling human heredity: 1865 to the present (1996)Stage Fright, Animals, and Other Theatrical Problems (2006)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Ontological Turn: An Anthropological Exposition (2016)Ethnographic Showcases, 1870-1930 (1993)AN EXCESS OF DESCRIPTION: Ethnography, Race, and Visual Technologies (2005)Excavating AI: the politics of images in machine learning training sets (2021)What's the Point of an Index? or, Faking Photographs (2008)Introduction (2009)Arab Media Systems (2021)
this work references cited by second hop

References

  • 1988The Originality of the Avant Garde and Other Modernist Myths505 cited
  • 2017The Body and the Archive *331 cited
  • 1996Photography between Narrativity and Stasis: August Sander, Degeneration, and the Decay of the Portrait103 cited

Cited by

  • 2002Representations or people?49 cited
  • 2015Harvard’s Composite “Class” Pictures1 cited

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