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Sound and Senses: Toward a Hermeneutics of Performance
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  • 1990Sweet colors, fragrant songs: sensory models of the Andes and the Amazon112 cited
  • 2006Scent, Sound and Synaesthesia: Intersensoriality and Material Culture Theory85 cited
  • 2020The Museum as Sensescape: Western Sensibilities and Indigenous Artifacts61 cited
  • 2000Mystics, Demoniacs, and the Physiology of Spirit Possession in Medieval Europe45 cited
  • 2008Dimensions of Place: The Significance of Centers to the Development of Andean Civilization: An Exploration of the Ushnu Concept43 cited
  • 2024Sensorium41 cited
  • 2010Sound Acts: Elocution, Somatic Work, and the Performance of Sonic Alignment39 cited
  • 2014Communing with nature, the ancestors and the neighbors: ancient ceramic musical instruments from coastal Oaxaca, Mexico36 cited
  • 2009From ‘impregnation’ to ‘attunement’: a sensory view of how magic works27 cited
  • 1992Toba Pentecostalism Revisited22 cited
  • 1999A fixação da narrativa: do mito para a poética de literatura oral21 cited
  • 2010Negotiating the Transnational Moment: Immigrant Letters as Performance of a Diasporic Identity19 cited
  • 2021Altered Vision16 cited
  • 1993Inca cosmology and the human body14 cited

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  • 2018Isaac of Antioch’s Organ and the Media of Musical Subjects13 cited
  • 1998The Exorcising Sounds of Warfare: The Performance of Shamanic Healing and the Struggle to Remain Mapuche13 cited