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‘Rules as Strict as Palestrina's’: The Regulation of Pitch and Rhythm in Ligeti's Requiem andLux aeterna
16 references·0 citing·29 second hop
‘Rules as Strict as Palestrina's’: The Regulation of Pitch and Rhythm in Ligeti's Requiem andLux aeterna (2013)‘Rules as Strict as Palestrina's’: The Re…Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century (2018)Counterpoint: The Polyphonic …Shades of the Studio: Electronic Influences on Ligeti's "Apparitions" (2009)Shades of the Studio: Electro…György Ligeti and the Rhetoric of Autonomy (2004)György Ligeti and the Rhetori…Concert Music, Rock, and Jazz since 1945: Essays and Analytical Studies (1997)Concert Music, Rock, and Jazz…Harmonic and Formal Processes in Ligeti's Net-Structure Compositions (1995)Harmonic and Formal Processes…Harmonic and Formal Processes in Ligeti's Net-Structure Compositions (1995)Harmonic and Formal Processes…Voice Leading as a Spatial Function in the Music of Ligeti (1994)Voice Leading as a Spatial Fu…György Ligeti : eine Monographie in Essays (1994)György Ligeti : eine Monograp…Stocktakings from an apprenticeship (1992)Stocktakings from an apprenti…"When You are a Beethoven": Kinds of Rules in Schenker's "Counterpoint" (1990)"When You are a Beethoven": K…Contrapuntal techniques in the music of György Ligeti (1989)Contrapuntal techniques in th…Inaudible Structures, Audible Music: Ligeti's Problem, and His Solution (1987)Inaudible Structures, Audible…György Ligeti : compositeur d'aujourd'hui (1985)György Ligeti : compositeur d…Techniques medievales en musique contemporaine: histoire de la musique et sens culturel (1980)Techniques medievales en musi…The Style of Palestrina and the Dissonance (1946)The Style of Palestrina and t…Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century (1939)Counterpoint: The Polyphonic …The Problem of Prolongation in Post-Tonal Music (1987)The Music of Béla Bartók (1992)Zones of Impingement: Two Movements from Bartók's Music for Strings, Percussion, and Celesta (2003)The Emergence of Timbre: Ligeti's Synthesis of Electronic and Acoustic Music in Atmosphères (2010)Aspects of Harmonic Structure, Voice Leading, and Aesthetic Function in György Ligeti'sin Zart Fliessender Bewegung (2012)The Structure of Atonal Music (1973)Stepwise Continuity as a Structural Determinant in György Ligeti's Ten Pieces for Wind Quintet (1985)Orientations, Criteria, Segments: A General Theory of Segmentation for Music Analysis (2001)Statistical Form amongst the D armstadt School (2014)Innovation and the avant-garde, 1900–20 (2004)Luigi Nono (2015)The Work of Literary Translation (2018)How artists working in academia view artistic practice as research: Implications for tertiary music education (2011)Composing Individuals: Ethnographic Reflections on Success and Prestige in the British New Music Network (2013)The End(s) of Genre (2013)The Cambridge History of American Music (1998)Minimal Challenges: Process Music and the Uses of Formalist Analysis (2006)‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–1968 (2014)Epistemologies of music theory (2002)The Schenker Project (2007)Metaphor and music (2008)On Compositional Process in the Fifteenth Century (1987)Why Do Skips Precede Reversals? The Effect of Tessitura on Melodic Structure (2000)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Ligeti's Restoration of Interval and Its Significance for His Later Works (1999)COMPOzE-intention-based music composition through constraint programming (2005)Tonality (2023)Vincenzo Galilei's Counterpoint Treatise: A Code for the "Seconda Pratica" (1956)Counterpoint pedagogy in the Renaissance (2002)
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References

  • 1946The Style of Palestrina and the Dissonance140 cited
  • 1992Stocktakings from an apprenticeship103 cited
  • 2004György Ligeti and the Rhetoric of Autonomy65 cited
  • 2018Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century55 cited
  • 1997Concert Music, Rock, and Jazz since 1945: Essays and Analytical Studies55 cited
  • 1939Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century54 cited
  • 1990"When You are a Beethoven": Kinds of Rules in Schenker's "Counterpoint"41 cited
  • 1987Inaudible Structures, Audible Music: Ligeti's Problem, and His Solution38 cited
  • 1994Voice Leading as a Spatial Function in the Music of Ligeti32 cited
  • 1995Harmonic and Formal Processes in Ligeti's Net-Structure Compositions17 cited
  • 1995Harmonic and Formal Processes in Ligeti's Net-Structure Compositions17 cited
  • 2009Shades of the Studio: Electronic Influences on Ligeti's "Apparitions"11 cited
  • 1994György Ligeti : eine Monographie in Essays8 cited
  • 1989Contrapuntal techniques in the music of György Ligeti7 cited
  • 1980Techniques medievales en musique contemporaine: histoire de la musique et sens culturel6 cited

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  • 1985György Ligeti : compositeur d'aujourd'hui6 cited
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