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Computer Graphics: A Semi-Technical Introduction
4 references·7 citing·40 second hop
Computer Graphics: A Semi-Technical Introduction (2001)Computer Graphics: A Semi-Technical Intro…:Vermeer and the Art of Painting (1996):Vermeer and the Art of Paint…Shadows and enlightenment (1995)Shadows and enlightenmentThe Age of the World Picture (1977)The Age of the World PictureDie Aufzeichnungen des Malte Laurids Brigge (1910)Die Aufzeichnungen des Malte …An Ecology of Operations: Vigilance, Radar, and the Birth of the Computer Screen (2019)An Ecology of Operations: Vig…The Random-Access Image: Memory and the History of the Computer Screen (2018)The Random-Access Image: Memo…Sparks to Signals: Literature, Science, and Wireless Technology, 1800-1930 (2016)Sparks to Signals: Literature…The Index and the Algorithm (2007)The Index and the AlgorithmThe Time of Affect, or Bearing Witness to Life (2004)The Time of Affect, or Bearin…Cinema Beyond Cybernetics, or How to Frame the Digital Image (2002)Cinema Beyond Cybernetics, or…Seeing with the Body: The Digital Image in Postphotography (2001)Seeing with the Body: The Dig…Collected Papers of Charles Sanders Peirce (1935)The Emergence of Cinematic Time: Modernity, Contingency, the Archive (2002)The Language of New Media (2002)Unruly Representation: Materiality, indexicality and agency of the photographic trace (2017)Digitales Kino, Postkinematografie und Post-Continuity (2021)Machinic Vision (1999)Affect as Medium, or the `Digital-Facial-Image' (2003)The New Empiricism (2009)Affect, emotion, and media audiences: the case of resilient reception (2018)Embodied knowledge in customer experience: reflections on yoga (2022)Gramophone, Film, Typewriter (1987)The Body in the Mind (1987)Techniques of the observer: on vision and modernity in the nineteenth century (1991)Depth Readings: Ken Jacobs’s Digital, Stereographic Films (2014)Electric shadows reloaded: the post-digital animateur, shadow play and handmade cinema (2017)Essays on self-reference (1990)How We Became Posthuman: Virtual Bodies in Cybernetics, Literature and Informatics (2001)Communication as Interface or Information Exchange? A Reply to Richard Rushton (2004)Oscillons: Electronic Abstractions (1969)Indigenous Circuits: Navajo Women and the Racialization of Early Electronic Manufacture (2014)Hidden Surface Problems: On the Digital Image as Material Object (2015)Redefining screenshots: Toward critical literacy of screen capture practices (2020)Toward Infrastructure Art (2021)On Addressability, or What Even Is Computation? (2022)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1956)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)The Epistemic and Performative Dynamics of Machine Learning Praxis (2020)The Bitmap is the Territory: How Digital Formats Render Global Positions (2021)The Optical and the Environmental: From Screens to Screenscapes (2023)Exhuming Rilke's Orphic Body: Gender and Poetic Voice in "Orpheus. Eurydike. Hermes" and "Hetären-Gräber" (2004)NecrOphelia (2005)Beyond the Third World: imperial globality, global coloniality and anti-globalisation social movements (2004)Reconceptualizing object authenticity (2006)Cyborg intentionality: Rethinking the phenomenology of human–technology relations (2008)Setting Things before the Mind (1998)Seeing Dark Things (2008)Hazy worlds: Atmospheric ontologies in Denmark (2015)Vermeer and the Camera Obscura: Some Practical Considerations (1998)Absence, Ambiguity, and The Representation of Creativity in Vermeer’s the Art of Painting (2007)Back to Basics: Rembrandt and the Emergence of Modern Painting (2011)
this work references cited by second hop

References

  • 1977The Age of the World Picture963 cited
  • 1995Shadows and enlightenment136 cited
  • 1910Die Aufzeichnungen des Malte Laurids Brigge71 cited
  • 1996:Vermeer and the Art of Painting20 cited

Cited by

  • 2004The Time of Affect, or Bearing Witness to Life105 cited
  • 2019An Ecology of Operations: Vigilance, Radar, and the Birth of the Computer Screen42 cited
  • 2018The Random-Access Image: Memory and the History of the Computer Screen33 cited
  • 2007The Index and the Algorithm20 cited
  • 2001Seeing with the Body: The Digital Image in Postphotography19 cited
  • 2002Cinema Beyond Cybernetics, or How to Frame the Digital Image18 cited
  • 2016Sparks to Signals: Literature, Science, and Wireless Technology, 1800-193010 cited

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