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Digitales Kino, Postkinematografie und Post-Continuity · Study

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ChapterDigitales Kino, Postkinematografie und Post-Continuity

Thomas Morsch2021

Chapter2021

Digitales Kino, Postkinematografie und Post-Continuity

6 citations·0/0 files stored·Springer eBooks

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Cinema History and Criticism Visual Culture and Art Theory Cinema and Media Studies

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2002The Language of New Media 1992The Address of the Eye 2007The Virtual Life of Film 2007Death 24x a Second: Stillness and the Moving Image 2009Tactile Eye 2000Film Theory: An Introduction 1988Film theory: an introduction 2014The Forms of the Affects

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2012Avatar : Stereoscopic Cinema, Gaseous Perception and Darknessarticle · 10 shared references 2018Layered Encounters: Mainstream Cinema and the Disaggregate Digital Compositearticle · 10 shared references 2010Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Talesarticle · 6 shared references 2014André Martin, Inventor of Animation Cinemachapter · 6 shared references 2014Signatures of Motionchapter · 6 shared references 2014The Multilocal Self: Performance Capture, Remote Surgery, and Persistent Materialityarticle · 6 shared references

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Year2021

Typechapter

Published2021-01-01

VenueSpringer eBooks

Languagede

Citations6

Files0 public / 0

ShelfCinema History and Criticism

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doi10.1007/978-3-658-08998-6_30

openalex_workW2519952972

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