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Digitales Kino, Postkinematografie und Post-Continuity
16 references·0 citing·32 second hop
Digitales Kino, Postkinematografie und Post-Continuity (2021)Digitales Kino, Postkinematografie und Po…The Forms of the Affects (2014)The Forms of the AffectsUnruly Media (2013)Unruly MediaThe Interface Effect (2012)The Interface EffectDigital visual effects in cinema: the seduction of reality (2012)Digital visual effects in cin…Tactile Eye (2009)Tactile EyeThe Virtual Life of Film (2007)The Virtual Life of FilmThe Indexical and the Concept of Medium Specificity (2007)The Indexical and the Concept…Moving Away from the Index: Cinema and the Impression of Reality (2007)Moving Away from the Index: C…Death 24x a Second: Stillness and the Moving Image (2007)Death 24x a Second: Stillness…Death 24x a Second: Stillness and the Moving Image (2006)Death 24x a Second: Stillness…The Language of New Media (2002)The Language of New MediaFilm Theory: An Introduction (2000)Film Theory: An IntroductionDifferences: A Journal of Feminist Cultural Studies (2000)Differences: A Journal of Fem…True Lies: Perceptual Realism, Digital Images, and Film Theory (1996)True Lies: Perceptual Realism…The Address of the Eye (1992)The Address of the EyeFilm theory: an introduction (1988)Film theory: an introductionNarrative as virtual reality: immersion and interactivity in literature and electronic media (2001)Knowledge and Critical Pedagogy (2008)Documents and Bureaucracy (2010)The Platformization of the Web: Making Web Data Platform Ready (2015)Collected Papers of Charles Sanders Peirce (1935)The Work of Art in the Age of Mechanical Reproduction (2007)Exhibiting Cinema in Contemporary Art (2013)Selfies| The Gestural Image: The Selfie, Photography Theory, and Kinesthetic Sociability (2015)Theorizing Adaptation (2020)Cross-Cultural Representation of ‘Otherness’ in Media Discourse (2003)Moving Forward, Looking Back : The European Avant-garde and the Invention of Film Culture, 1919-1939 (2007)Multimodal analysis within an interactive software environment: critical discourse perspectives (2011)Cinema 3.0: The Interactive-Image (2010)On Disability and Cybernetics: Helen Keller, Norbert Wiener, and the Hearing Glove (2011)Imagined Democracies: Necessary Political Fictions (2012)The affective life of semiotics (2015)Feeling differently: Approaches and their politics (2017)The Evolution of Affect Theory (2019)Mobile Screens (2012)Mobile screens: the visual regime of navigation (2012)Tape: Or, Rewinding the Phonographic Regime (2017)Les luttes pour la visibilité (2005)What's the Point of an Index? or, Faking Photographs (2008)Embodying movies: Embodied simulation and film studies (2012)Stereoscopic visuality (2013)The Cambridge Companion to Film Music (2016)Where are we?: camera movements and the problem of point of view (2016)The cultural work of microwork (2013)Can an Algorithm be Agonistic? Ten Scenes from Life in Calculated Publics (2015)Life beyond big data: governing with little analytics (2015)Critical Discourse Analysis. Theory and Interdisciplinarity. (2003)Stranger than Fiction? A Few Methodological Notes on Linguistic Research in Film Discourse (2011)
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References

  • 2002The Language of New Media5,017 cited
  • 1992The Address of the Eye1,199 cited
  • 2007The Virtual Life of Film723 cited
  • 2007Death 24x a Second: Stillness and the Moving Image561 cited
  • 2009Tactile Eye501 cited
  • 2000Film Theory: An Introduction431 cited
  • 1988Film theory: an introduction391 cited
  • 2014The Forms of the Affects386 cited
  • 2012The Interface Effect334 cited
  • 2007The Indexical and the Concept of Medium Specificity276 cited
  • 2000Differences: A Journal of Feminist Cultural Studies265 cited
  • 2007Moving Away from the Index: Cinema and the Impression of Reality249 cited
  • 2013Unruly Media243 cited
  • 1996True Lies: Perceptual Realism, Digital Images, and Film Theory236 cited
  • 2012Digital visual effects in cinema: the seduction of reality214 cited
  • 2006Death 24x a Second: Stillness and the Moving Image197 cited

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