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Oral history and the radio documentary/feature: Introducing the 'COHRD' form
12 references·10 citing·29 second hop
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References

  • 1992Representing reality: issues and concepts in documentary1,609 cited
  • 1999We wish to inform you that tomorrow we will be killed with our families: stories from Rwanda687 cited
  • 1991The death of Luigi Trastulli, and other stories: form and meaning in oral history634 cited
  • 1986The Responsibility of Forms: Critical Essays on Music, Art, and Representation432 cited
  • 2009What Makes Oral History Different358 cited
  • 2001The Battle of Valle Giulia: Oral History and the Art of Dialogue347 cited
  • 1991A social history of British broadcasting255 cited
  • 1996The Art of Record: A Critical Introduction to Documentary214 cited
  • 2008In Cold Blood: A True Account of a Multiple Murder and Its Consequences103 cited
  • 1979Talking to Strangers88 cited
  • 1979John Grierson: A documentary biography63 cited
  • 2010Reality radio: telling true stories in sound38 cited

Cited by

  • 2014Audio Storytelling34 cited
  • 2021Reportaje sonoro y podcasting, el despertar de un género durmiente en España. El caso de Podium Podcast33 cited
  • 2020Domesticated voices and false participation: Anatomy of interaction on transmedia podcasting32 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2020A “segunda era” do podcasting: reenquadrando o podcasting como um novo meio digital massivo28 cited
  • 2013Not dead yet: Emerging trends in radio documentary forms in Australia and the US23 cited
  • 2021Podcasting as an opportunity to recover and renew the audio feature genre in Spanish: A case study of Cuonda and Podium Podcast13 cited
  • 2021Documental sonoro y arte radiofónico12 cited
  • 2019Podcasting w perspektywie specyfiki produkcji radiowej10 cited
  • 2020Vulnerability in Scandinavian Art and Culture9 cited
  • 2023Documental sonoro, la alternativa para contar la realidad con mirada de género6 cited