SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music
16 references·14 citing·30 second hop
Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music (2011)Pop-Rock Music as Expressive Isomorphism:…The Africanist Aesthetic in Global Hip-Hop (2007)The Africanist Aesthetic in G…Hip-hop Japan (2006)Hip-hop JapanHip-Hop Japan (2006)Hip-Hop JapanExtreme Metal: Music and Culture on the Edge (2006)Extreme Metal: Music and Cult…Retrospective Cultural Consecration in Popular Music (2005)Retrospective Cultural Consec…Popular Music and National Culture in Israel (2004)Popular Music and National Cu…Understanding Popular Music (2003)Understanding Popular MusicChina's New Voices (2003)China's New VoicesThe field of Cultural Production (2002)The field of Cultural Product…Brutality Garden (2001)Brutality GardenGlobal Pop: World Music, World Markets (1998)Global Pop: World Music, Worl…World Society and the Nation‐State (1997)World Society and the Nation‐…Rhythm and Noise: An Aesthetics of Rock (1996)Rhythm and Noise: An Aestheti…The Field of Cultural Production (1994)The Field of Cultural Product…Rock music: culture, aesthetics and sociology (1991)Rock music: culture, aestheti…Rock Music (1990)Rock MusicThe ties that conform: Legitimacy and innovation of live music venues and local music scenes (2023)The ties that conform: Legiti…When the local encounters the global: aesthetic conflicts in the Chinese traditional music world (2022)When the local encounters the…Vocaloid in China: Cosmopolitan music, cultural expression, and multilayer identity (2018)Vocaloid in China: Cosmopolit…The Global Omnivore: Identifying Musical Taste Groups in Austria, England, Israel and Serbia (2016)The Global Omnivore: Identify…Politics and Power in the Record Industry: The Beatles, the Beach Boys, and the Album as Art Form (2016)Politics and Power in the Rec…Travelling Songs: on Popular Music Transfer and Translation (2015)Travelling Songs: on Popular …The social distinction in having domestic versus foreign favorite music artists (2014)The social distinction in hav…Paradigmas y enfoques teóricos en la sociología de la música (2014)Paradigmas y enfoques teórico…Nuuk underground: musical change and cosmopolitan nationalism in Greenland (2014)Nuuk underground: musical cha…Legitimating Local Music: Volksmuziek , Hip-Hop/Rap and Dance Music in Dutch Elite Newspapers (2014)Legitimating Local Music: Vol…17. Tanya Tagaq : l’ethno-pop comme mise en spectacle (2014)17. Tanya Tagaq : l’ethno-pop…SYNCRETIC CULTURAL MULTIVOCALITY AND THE MALAYSIAN POPULAR MUSICAL IMAGINATION (2013)SYNCRETIC CULTURAL MULTIVOCAL…Strumming a place of one's own: gender, independence and the East Asian pop-rock screen (2013)Strumming a place of one's ow…Institutionalized erasures: How global structures acquire national meanings in Israeli popular music (2012)Institutionalized erasures: H…The Presentation of Self in Everyday Life. (1956)Institutionalized Organizations: Formal Structure as Myth and Ceremony (1977)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)International Norm Dynamics and Political Change (1998)The Institutional Dynamics of International Political Orders (1998)Social Theory of International Politics (1999)The Cluster as Market Organisation (2004)Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting (2008)“Heritage rock”: Rock music, representation and heritage discourse (2009)Making Tracks: The Ontology of Rock Music (2006)Between silence and pain: loudness and the affective encounter (2015)Musical Rhythm in the Age of Digital Reproduction (2016)Vertical and Horizontal Discourse: An essay (1999)Artists, Aestheticisation and the Field of Gentrification (2003)‘It's all becoming a habitus’: beyond the habitual use of habitus in educational research (2004)A Sweet Lullaby for World Music (2000)Music and the Global Order (2004)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Classification as Culture: Types and Trajectories of Music Genres (2008)What Is Sociological about Music? (2010)Dark tourism motivations: Simulation, emotional contagion and topographic comparison (2012)Metroethnicities and Metrolanguages (2010)Soundscapes: Toward a Sounded Anthropology (2010)Translocal style communities (2015)“We Live Daily in Two Countries” (2011)Can the subaltern eat? Anthropophagic culture as a Brazilian lens on post-colonial theory (2011)Militant tropicality: war, revolution and the reconfiguration of ‘the tropics’c.1940–c.1975 (2012)Creative Cities, Creative Spaces and Urban Policy (2009)Toward a Comparative Sociology of Valuation and Evaluation (2012)Hallyu across the Desert: K-pop Fandom in Israel and Palestine (2014)
this work references cited by second hop

References

  • 1997World Society and the Nation‐State4,737 cited
  • 1994The Field of Cultural Production3,293 cited
  • 2002The field of Cultural Production2,461 cited
  • 2006Extreme Metal: Music and Culture on the Edge465 cited
  • 1998Global Pop: World Music, World Markets402 cited
  • 1996Rhythm and Noise: An Aesthetics of Rock395 cited
  • 2006Hip-Hop Japan310 cited
  • 2003Understanding Popular Music309 cited
  • 2001Brutality Garden205 cited
  • 2004Popular Music and National Culture in Israel191 cited
  • 2003China's New Voices190 cited
  • 1990Rock Music150 cited
  • 2007The Africanist Aesthetic in Global Hip-Hop145 cited
  • 2006Hip-hop Japan134 cited
  • 2005Retrospective Cultural Consecration in Popular Music106 cited
  • 1991Rock music: culture, aesthetics and sociology102 cited

Cited by

  • 2016The Global Omnivore: Identifying Musical Taste Groups in Austria, England, Israel and Serbia

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

25 cited
  • 2013Strumming a place of one's own: gender, independence and the East Asian pop-rock screen23 cited
  • 2015Travelling Songs: on Popular Music Transfer and Translation20 cited
  • 2012Institutionalized erasures: How global structures acquire national meanings in Israeli popular music19 cited
  • 2014The social distinction in having domestic versus foreign favorite music artists15 cited
  • 2018Vocaloid in China: Cosmopolitan music, cultural expression, and multilayer identity15 cited
  • 2016Politics and Power in the Record Industry: The Beatles, the Beach Boys, and the Album as Art Form14 cited
  • 2022When the local encounters the global: aesthetic conflicts in the Chinese traditional music world11 cited
  • 2014Paradigmas y enfoques teóricos en la sociología de la música9 cited
  • 2014Legitimating Local Music: Volksmuziek , Hip-Hop/Rap and Dance Music in Dutch Elite Newspapers9 cited
  • 2014Nuuk underground: musical change and cosmopolitan nationalism in Greenland5 cited
  • 2013SYNCRETIC CULTURAL MULTIVOCALITY AND THE MALAYSIAN POPULAR MUSICAL IMAGINATION5 cited
  • 2023The ties that conform: Legitimacy and innovation of live music venues and local music scenes4 cited
  • 201417. Tanya Tagaq : l’ethno-pop comme mise en spectacle3 cited