SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Charming the Cobra with a Ballpoint Pen: Liminality and Spectacular Authorship in Pier Paolo Pasolini's Interviews
12 references·2 citing·26 second hop
Charming the Cobra with a Ballpoint Pen: Liminality and Spectacular Authorship in Pier Paolo Pasolini's Interviews (2007)Charming the Cobra with a Ballpoint Pen: …The Society of the Spectacle (2020)The Society of the Spectacle15. The Death of the Author (2017)15. The Death of the AuthorMorphologies and Functions of Self-Criticism in Modern Times: Has the Author Come Back? (2003)Morphologies and Functions of…The Construction of Authorship: Textual Appropriation in Law and Literature (1997)The Construction of Authorshi…Discipline and Punish: The Birth of the Prison. (1996)Discipline and Punish: The Bi…The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault and Derrida (1992)The Death and Return of the A…Il sogno del centauro (1983)Il sogno del centauroDiscipline and Punish: The Birth of the Prison. (1978)Discipline and Punish: The Bi…Pasolini : cronaca giudiziaria, persecuzione, morte (1977)Pasolini : cronaca giudiziari…Image-Music-Text (1977)Image-Music-TextPasolini on Pasolini: Interviews with Oswald Stack (1969)Pasolini on Pasolini: Intervi…Pasolini on Pasolini (1969)Pasolini on PasoliniDear Intellectual: The Cultural Advice Columns (2018)Dear Intellectual: The Cultur…Marilyn’s Ashes: Celebrity and Authorship in Pier Paolo Pasolini’s La rabbia (2016)Marilyn’s Ashes: Celebrity an…The Network Paradigm in Organizational Research: A Review and Typology (2003)From Poverty to Perversity: Ideas, Markets, and Institutions over 200 Years of Welfare Debate (2005)The work of representation (2020)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)In the Social Factory? (2008)Urban tourism research: Recent progress and current paradoxes (2010)Borrowing Others' Words: Text, Ownership, Memory, and Plagiarism (1996)Kinship, Law and the Unexpected (2005)The Anthropology of Texts, Persons and Publics (2007)Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)Discourse Analysis as Theory and Method (2002)Migrant “Illegality” and Deportability in Everyday Life (2002)The Professionalization of Women Writers in Eighteenth-Century Britain (2005)Medieval and Early Modern Authorship (2011)Museum Activism (2019)Manifesto for a Relational Sociology (1997)Postmodernism and the Social Sciences (1992)Television, Audiences and Cultural Studies (2003)Precarity as a Political Concept, or, Fordism as Exception (2008)Tiresias, Oedipus, and Pasolini: the Figure of the Intellectual in the Edipo Re (2009)Mass Media, Mass Culture and Contemporary Italian Fiction (2013)Resonances : noise and contemporary music (2013)Pasolini on Terra Sancta : Towards a Theology of Film (1998)Ceylan's Winter Sleep: From Ambiguity to Nothingness (2018)Baroque Music in Post-War Cinema: Performance Practice and Musical Style (2021)Pier Paolo Pasolini in Eritrea (2012)
this work references cited by second hop

References

  • 1978Discipline and Punish: The Birth of the Prison.19,201 cited
  • 1996Discipline and Punish: The Birth of the Prison.15,361 cited
  • 1977Image-Music-Text3,641 cited
  • 2020The Society of the Spectacle1,640 cited
  • 201715. The Death of the Author1,420 cited
  • 1992The Death and Return of the Author: Criticism and Subjectivity in Barthes, Foucault and Derrida508 cited
  • 1997The Construction of Authorship: Textual Appropriation in Law and Literature460 cited
  • 1969Pasolini on Pasolini: Interviews with Oswald Stack15 cited
  • 1969Pasolini on Pasolini15 cited
  • 1983Il sogno del centauro10 cited
  • 1977Pasolini : cronaca giudiziaria, persecuzione, morte10 cited
  • 2003Morphologies and Functions of Self-Criticism in Modern Times: Has the Author Come Back?7 cited

Cited by

  • 2016Marilyn’s Ashes: Celebrity and Authorship in Pier Paolo Pasolini’s La rabbia2 cited
  • 2018Dear Intellectual: The Cultural Advice Columns0 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work