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Kurth's "Bruckner" and the Adagio of the Seventh Symphony
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Kurth's "Bruckner" and the Adagio of the Seventh Symphony (1988)Kurth's "Bruckner" and the Adagio of the …Die Idee der absoluten Musik (1994)Die Idee der absoluten MusikThe Art of Biblical Poetry (1985)The Art of Biblical PoetryOnce More "Between Absolute and Program Music": Schumann's Second Symphony (1984)Once More "Between Absolute a…The Corded Shell: Reflections on Musical Expression (1982)The Corded Shell: Reflections…Texture as a Sign in Classic and Early Romantic Music (1982)Texture as a Sign in Classic …System der musikalischen Rhythmik und Metrik (1981)System der musikalischen Rhyt…Influence: Plagiarism and Inspiration (1980)Influence: Plagiarism and Ins…Brahms und Bruckner : Studien zur musikalischen Exegetik (1980)Brahms und Bruckner : Studien…The Structure of the "Ring" and Its Evolution (1977)The Structure of the "Ring" a…Style and Idea. Selected Writings of Arnold Schoenberg (1976)Style and Idea. Selected Writ…Style and Idea: Selected Writings of Arnold Schoenberg (1975)Style and Idea: Selected Writ…The Composer's Voice (1974)The Composer's VoiceMusical Form and Musical Performance (1971)Musical Form and Musical Perf…Emotion and Meaning in Music (1961)Emotion and Meaning in MusicThe Language of Music (1959)The Language of MusicThe Beautiful in Music (1957)The Beautiful in MusicThe “expanded cadential progression”: A category for the analysis of classical form† (1987)The String Quartets of Joseph Haydn (2006)The Interpretation of Cultures (2017)The Musical Topic in the Twentieth Century: A Case Study of Schoenberg’s Ironic Waltzes (2017)Aesthetics and subjectivity from Kant to Nietzsche (1991)Listening through Reading: Musical Literacy and the Concert Audience (1992)Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century (1997)Handbook of Emotions (1993)A cognitive developmental approach to morality: investigating the psychopath (1995)Well-being : the foundations of hedonic psychology (1999)Riffs, Repetition, and Theories of Globalization (1999)The Propulsion Model of Creative Contributions Applied to the Arts and Letters (2001)Musical Witness and Holocaust Representation (2015)Schumann and Late Eighteenth-Century Narrative Strategies (1987)Haydn, Laurence Sterne, and the Origins of Musical Irony (1991)Virtuosity and the Musical Work (2003)War and Peace in the Ancient World (2007)Parables and Conflict in the Hebrew Bible (2009)The philosophy of Hebrew scripture (2013)Music, Mood, and Marketing (1990)Emotional intelligence: In search of an elusive construct. (1998)Schubert's Promissory Note: An Exercise in Musical Hermeneutics (1982)Theorizing Musical Meaning (2001)Action and Agency Revisited (2013)Schubert's Sonata Form and Brahms's First Maturity (II) (1979)The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony (1992)From Policy “Frames” to “Framing” (2014)Brahms and Twentieth-Century Classical Music (1984)The Cambridge Companion to Opera Studies (2012)
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References

  • 1961Emotion and Meaning in Music1,957 cited
  • 1974The Composer's Voice387 cited
  • 1959The Language of Music356 cited
  • 1975Style and Idea: Selected Writings of Arnold Schoenberg237 cited
  • 1984Once More "Between Absolute and Program Music": Schumann's Second Symphony200 cited
  • 1985The Art of Biblical Poetry183 cited
  • 1971Musical Form and Musical Performance174 cited
  • 1994Die Idee der absoluten Musik173 cited
  • 1976Style and Idea. Selected Writings of Arnold Schoenberg170 cited
  • 1982Texture as a Sign in Classic and Early Romantic Music132 cited
  • 1977The Structure of the "Ring" and Its Evolution127 cited
  • 1957The Beautiful in Music105 cited
  • 1982The Corded Shell: Reflections on Musical Expression103 cited
  • 1981System der musikalischen Rhythmik und Metrik86 cited
  • 1980Influence: Plagiarism and Inspiration75 cited
  • 1980Brahms und Bruckner : Studien zur musikalischen Exegetik68 cited

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