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Analytical Pyrolysis as Diagnostic Tool in the Investigation of Works of Art
1 references·16 citing·50 second hop
Analytical Pyrolysis as Diagnostic Tool in the Investigation of Works of Art (2003)Analytical Pyrolysis as Diagnostic Tool i…The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…From Nanoparticles to Gels: A Breakthrough in Art Conservation Science (2023)From Nanoparticles to Gels: A…Research on the Organic Binders in Archaeological Wall Paintings (2021)Research on the Organic Binde…Analytical Techniques for the Preservation of Cultural Heritage: Frontiers in Knowledge and Application (2021)Analytical Techniques for the…OPLS multivariate regression of FTIR-ATR spectra of acrylic paints for age estimation in contemporary artworks (2019)OPLS multivariate regression …Direct and indirect approaches based on paper analysis by Py-GC/MS for estimating the age of documents (2018)Direct and indirect approache…New criteria for the characterization of traditional East Asian papers (2016)New criteria for the characte…A new approach to the determination of the synthetic or natural origin of red pigments through spectroscopic analysis (2016)A new approach to the determi…Novel application of liquid chromatography/mass spectrometry for the characterization of drying oils in art: Elucidation on the composition of original paint materials used by Edvard Munch (1863–1944) (2015)Novel application of liquid c…Py-GC/MS applied to the analysis of synthetic organic pigments: characterization and identification in paint samples (2014)Py-GC/MS applied to the analy…Vaterite in the mortars of a mosaic in the Saint Peter basilica, Vatican (Rome) (2009)Vaterite in the mortars of a …Py‐GC/MS of Organic Paint Binders (2009)Py‐GC/MS of Organic Paint Bin…Applying pyrolysis-gas chromatography/mass spectrometry to the identification of oriental lacquers: study of two lacquered shields (2009)Applying pyrolysis-gas chroma…Ultrasensitive chemiluminescent immunochemical identification and localization of protein components in painting cross-sections by microscope low-light imaging (2008)Ultrasensitive chemiluminesce…Application of analytical pyrolysis for the characterisation of old inks (2007)Application of analytical pyr…Effect of pigments on the analysis of fatty acids in siccative oils by pyrolysis methylation and silylation (2005)Effect of pigments on the ana…Analytical study of traditional decorative materials and techniques used in Ming Dynasty wooden architecture. The case of the Drum Tower in Xi’an, P.R. of China (2004)Analytical study of tradition…Materials for Conservation; Organic Consolidants, Adhesives and Coatings (1988)Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings (2000)Characterization of organic media in the wall-paintings of the “Palace of Nestor” at Pylos, Greece: evidence for a secco painting techniques in the Bronze Age (2012)Chemical analyses of extremely degraded wood using analytical pyrolysis and inductively coupled plasma atomic emission spectroscopy (2015)Advanced analytical investigation on degradation markers in wall paintings (2018)The Organic Chemistry of Museum Objects (1987)Organic Mass Spectrometry in Art and Archaeology (2009)A molecular study of modern oil paintings: investigating the role of dicarboxylic acids in the water sensitivity of modern oil paints (2018)A pyrolysis approach for characterizing and assessing degradation of polyurethane foam in cultural heritage objects (2018)Synthetic materials in art: a new comprehensive approach for the characterization of multi-material artworks by analytical pyrolysis (2019)Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)Identification of Proteins in Renaissance Paintings by Proteomics (2006)Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884) (2007)Development of a multiplexed chemiluminescent immunochemical imaging technique for the simultaneous localization of different proteins in painting micro cross-sections (2010)Single and multiplexed immunoassays for the chemiluminescent imaging detection of animal glues in historical paint cross-sections (2012)A simple and reliable methodology to detect egg white in art samples (2013)The natural history of Pliny (1855)A History of Building Materials (1962)Copper and Bronze in Art: Corrosion, Colorants, Conservation (2002)Polychromic structures and pigments in Guangyuan Thousand-Buddha Grotto of the Tang Dynasty (China) (2012)“A methodological assessment of the importance of physical values in architectural conservation using Shannon entropy method” (2020)Degradation of emerald green: scientific studies on multi-polychrome Vairocana Statue in Dazu Rock Carvings, Chongqing, China (2020)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Pigment Compendium (2008)A chemical study of organic materials in three murals by Keith Haring: A comparison of painting techniques (2015)Trends in High Performance Liquid Chromatography for Cultural Heritage (2016)HPLC-DAD and HPLC-ESI-Q-ToF characterisation of early 20th century lake and organic pigments from Lefranc archives (2017)In-situ pyrolysis and silylation for analysis of lipid materials used in paint layers (2001)Application of Different Fourier Transform Infrared (FT-IR) Methods in the Characterization of Lime-Based Mortars with Oxblood (2018)Characterization of archaeological lime mortars in a Ming dynasty tomb: A multi‐analytical approach (2023)Computer Aided Design of Experiments (1969)Accelerated UV ageing studies of acrylic, alkyd, and polyvinyl acetate paints: Influence of inorganic pigments (2015)Hyperspectral imaging combined with data classification techniques as an aid for artwork authentication (2017)SO2- and NOx- initiated atmospheric degradation of polymeric films: Morphological and chemical changes, influence of relative humidity and inorganic pigments (2021)Assessing the (In)Stability of Urban Art Paints: From Real Case Studies to Laboratory Investigations of Degradation Processes and Preservation Possibilities (2022)Analytical Chemistry in Archaeology (2007)A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art (2018)A Review of Non-Destructive Raman Spectroscopy and Chemometric Techniques in the Analysis of Cultural Heritage (2024)Application of spectroscopy technique in cultural heritage: systematic review and bibliometric analysis (2025)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Photo-oxidative stability of paraloid acrylic protective polymers (2001)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)An overview of gel-based cleaning approaches for art conservation (2024)Present Status and Perspectives of Graphene and Graphene‐related Materials in Cultural Heritage (2024)Recent Developments in Materials Science for the Conservation and Restoration of Historic Artifacts (2024)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)
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References

  • 1988The Organic Chemistry of Museum Objects686 cited

Cited by

  • 2014Py-GC/MS applied to the analysis of synthetic organic pigments: characterization and identification in paint samples65 cited
  • 2023From Nanoparticles to Gels: A Breakthrough in Art Conservation Science62 cited
  • 2009Py‐GC/MS of Organic Paint Binders61 cited
  • 2015Novel application of liquid chromatography/mass spectrometry for the characterization of drying oils in art: Elucidation on the composition of original paint materials used by Edvard Munch (1863–1944)56 cited
  • 2004Analytical study of traditional decorative materials and techniques used in Ming Dynasty wooden architecture. The case of the Drum Tower in Xi’an, P.R. of China54 cited
  • 2009Vaterite in the mortars of a mosaic in the Saint Peter basilica, Vatican (Rome)47 cited
  • 2008Ultrasensitive chemiluminescent immunochemical identification and localization of protein components in painting cross-sections by microscope low-light imaging46 cited
  • 2019OPLS multivariate regression of FTIR-ATR spectra of acrylic paints for age estimation in contemporary artworks38 cited
  • 2021Analytical Techniques for the Preservation of Cultural Heritage: Frontiers in Knowledge and Application38 cited
  • 2005Effect of pigments on the analysis of fatty acids in siccative oils by pyrolysis methylation and silylation37 cited
  • 2021Research on the Organic Binders in Archaeological Wall Paintings36 cited
  • 2016

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A new approach to the determination of the synthetic or natural origin of red pigments through spectroscopic analysis
32 cited
  • 2007Application of analytical pyrolysis for the characterisation of old inks31 cited
  • 2018Direct and indirect approaches based on paper analysis by Py-GC/MS for estimating the age of documents30 cited
  • 2016New criteria for the characterization of traditional East Asian papers29 cited
  • 2009Applying pyrolysis-gas chromatography/mass spectrometry to the identification of oriental lacquers: study of two lacquered shields28 cited