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Point of View: A Linguistic Analysis of Literary Style
0 references·16 citing·52 second hopsampled
Point of View: A Linguistic Analysis of Literary Style (1991)Point of View: A Linguistic Analysis of L…Free Indirect Style in Modernism (2017)Free Indirect Style in Modern…War, worlds and Cognitive Grammar (2014)War, worlds and Cognitive Gra…How is Mrs Ramsay thinking? The semantic effects of consciousness presentation categories within free indirect style (2014)How is Mrs Ramsay thinking? T…Cognitive Grammar in Literature (2014)Cognitive Grammar in Literatu…Voice and Expressivity in Free Indirect Thought Representations: Imitation and Representation (2013)Voice and Expressivity in Fre…The constructional underpinnings of viewpoint blends (2012)The constructional underpinni…Viewpoint and construction grammar: The case of past + now (2010)Viewpoint and construction gr…The effect of animacy on the choice of referring expression (2010)The effect of animacy on the …Parentheticals and point of view in free indirect style (2009)Parentheticals and point of v…Communication and the representation of thought: The use of audience-directed expressions in free indirect thought representations (2009)Communication and the represe…Apposition and affective communication (2008)Apposition and affective comm…The ‘dual voice’ of free indirect discourse: a reading experiment (2007)The ‘dual voice’ of free indi…Deixis and grounding in speech and thought representation (2004)Deixis and grounding in speec…Connectives in Free Indirect Style: Continuity or Shift? (2004)Connectives in Free Indirect …LITERARY LANGUAGE (1999)LITERARY LANGUAGEA variable syntax of speech, gesture, and sound effect: Direct quotations in Spanish (1998)A variable syntax of speech, …Story and Discourse: Narrative Structure in Fiction and Film (1979)Relevance: Communication and Cognition (1986)Thoughts and Utterances (2002)Discourse markers in free indirect style and interpreting (2013)Language Processing, Relevance and Questions (2019)Representation and Metarepresentation in Negation (2019)Marxism and the philosophy of language (1973)Introduction to functional grammar . By M. A. K. Halliday London & Baltimore: Edward Arnold, 1985. Pp. xxxv, 387. 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Quantitative and qualitative examples of the importance of digital social reading and readers’ comments in the margins (2020)A Comprehensive Grammar of the English Language (1987)A comprehensive grammar of the English language . By Randolph Quirk, Sidney Greenbaum, Geoffrey Leech, and Jan Svartvik. Index by David Crystal. London: Longman, 1985. Pp. x, 1779. (1988)LANGUAGE AND EMOTION: DISCOURSE-PRAGMATIC PERSPECTIVES (2018)The Body in the Mind (1987)Women, Fire, and Dangerous Things (1987)Constructions: A Construction Grammar Approach to Argument Structure (1995)Linguistic Approaches to Literature (2013)Working toward a synthesis (2016)Aspectuality across Languages (2018)Orality and Literacy (1982)Variation across Speech and Writing (1988)Inquiries into Truth and Interpretation (2001)The Nominative and Infinitive in Late Modern English (2008)The development of “digressive” discourse-topic shift markers in English (2019)The Principles of Psychology (1891)Philosophical Investigations. 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  • 2014Cognitive Grammar in Literature145 cited
  • 2010The effect of animacy on the choice of referring expression124 cited
  • 1998A variable syntax of speech, gesture, and sound effect: Direct quotations in Spanish121 cited
  • 1999LITERARY LANGUAGE94 cited
  • 2004Deixis and grounding in speech and thought representation90 cited
  • 2009Communication and the representation of thought: The use of audience-directed expressions in free indirect thought representations88 cited
  • 2007The ‘dual voice’ of free indirect discourse: a reading experiment75 cited
  • 2009Parentheticals and point of view in free indirect style62 cited
  • 2017Free Indirect Style in Modernism57 cited
  • 2013Voice and Expressivity in Free Indirect Thought Representations: Imitation and Representation55 cited
  • 2014War, worlds and Cognitive Grammar55 cited
  • 2014How is Mrs Ramsay thinking? The semantic effects of consciousness presentation categories within free indirect style53 cited
  • 2012The constructional underpinnings of viewpoint blends53 cited
  • 2004Connectives in Free Indirect Style: Continuity or Shift?43 cited
  • 2010

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Viewpoint and construction grammar: The case of past + now
43 cited
  • 2008Apposition and affective communication41 cited