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Between the Market and a Hard Place: Fernando Pérez’s Suite Habana in a Post-utopian Cuba
4 references·1 citing·15 second hop
Between the Market and a Hard Place: Fernando Pérez’s Suite Habana in a Post-utopian Cuba (2007)Between the Market and a Hard Place: Fern…Affecting legacies: historical memory and contemporary structures of feeling in Madagascar and Amores perrros (2003)Affecting legacies: historica…5. The Practice of Everyday Life (2000)5. The Practice of Everyday L…The Repeating Island (1996)The Repeating IslandNew art of Cuba (1993)New art of CubaThe postcolonial city symphony film and the ‘ruins’ ofSuite Habana (2013)The postcolonial city symphon…Time and the Other: How Anthropology Makes Its Object (1983)FROM THE GERMAN IDEOLOGY (2013)Time and the other: how anthropology makes its object (2015)Amores Perros: Exotic Violence And Neoliberal Fear1 (2006)La Habana Cotidiana: Espacio Urbano en el Cine de Fernando Pérez (2006)Alejandro Gonzlez Irritu: director without borders (2009)An inquiry into the relationship between the visual arts and psychotherapy in post revolutionary Cuba (2006)A Certain Explicitness: Objectivity, History, and the Documentary Self (2011)The social value of culture: learning from revolutionary Cuba (2012)People as Infrastructure: Intersecting Fragments in Johannesburg (2004)Autoethnography: An Overview (2010)Towards a Politics of Mobility (2010)Shadowboxing in the Mangrove (1997)Black/Queer/Diaspora at the Current Conjuncture (2012)Island Movements: Thinking with the Archipelago (2013)
this work references cited by second hop

References

  • 20005. The Practice of Everyday Life10,734 cited
  • 1996The Repeating Island966 cited
  • 2003Affecting legacies: historical memory and contemporary structures of feeling in Madagascar and Amores perrros29 cited
  • 1993New art of Cuba22 cited

Cited by

  • 2013The postcolonial city symphony film and the ‘ruins’ ofSuite Habana5 cited

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