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Cited by

• 1998Social Memory Studies: From “Collective Memory” to the Historical Sociology of Mnemonic Practices1,955 cited
• 2010Celebrity and Power305 cited
• 2004Critical Discourse and the Cultural Consecration of American Films204 cited
• 2015Persona as method: exploring celebrity and the public self through persona studies115 cited
• 2006The Institutionalization of Fame: Achievement, Recognition, and Cultural Consecration in Baseball76 cited
• 2016Why are artists getting poorer? About the reproduction of low income among artists70 cited
• 2011The Making of Cultural Heritage53 cited
• 2016The Paradox of Controversial Innovation: Insights From the Rise of Impressionism44 cited
• 2017Theatres as risk societies: Performing artists balancing between artistic and economic risk37 cited
• 2013Mastering the jazz standard: Sayings and doings of artistic valuation35 cited
• 2020From starving artist to entrepreneur. Justificatory pluralism in visual artists' grant proposals33 cited
• 2022Justifying creative work: Norwegian business support and the conflicting narratives of creative industries28 cited
• 2006Words in Blood, Like Flowers: Philosophy and Poetry, Music and Eros in Holderlin, Nietzsche, and Heidegger28 cited
• 2014