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Possible worlds and the concept of reference in the semiotics of theater
13 references·0 citing·34 second hop
Possible worlds and the concept of reference in the semiotics of theater (2003)Possible worlds and the concept of refere…The Corporeality of the Actor’s Body: The Boundaries of Theatre and the Limitations of Semiotic Methodology (1999)The Corporeality of the Actor…The Semiotic Stage: Prague School Theater Theory (1995)The Semiotic Stage: Prague Sc…The language of the theatre (1992)The language of the theatreTheatre semiotics: signs of life (1990)Theatre semiotics: signs of l…A Sociosemiotic Theory of Theatre (1990)A Sociosemiotic Theory of The…Possible Worlds and Literary Fictions (1988)Possible Worlds and Literary …Deconstruction Theory and Practice (1982)Deconstruction Theory and Pra…A Programmatic Attempt at an Anthropology of Knowledge (1981)A Programmatic Attempt at an …The Semiotics of Theatre and Drama (1980)The Semiotics of Theatre and …The Possible and the actual : readings in the metaphysics of modality (1979)The Possible and the actual :…Problemes de semiologie theatrale (1977)Problemes de semiologie theat…The theory of objects (1973)The theory of objectsCourse in General Linguistics (1960)Course in General LinguisticsMeaning Relations among Predicates (1967)Pretense, Existence, and Fictional Objects (2007)The metaphysics of propositional constituency (2013)Affective semiosis and affective logic (2017)Falsification and the Methodology of Scientific Research Programmes (1970)The Interpretation of Cultures (1974)A Systematic Approach for Using Qualitative Methods in Primary Prevention Research (1990)Worldview theory and conceptual change in science education (1996)Discovering indigenous science: Implications for science education (2000)The Interpretation of Cultures (2017)A Cornerstone for Rethinking Community Theatre (1996)Shakespeare and the power of performance: stage and page in the Elizabethan theatre (2009)‘Argue with Us!’: Audience Co-creation through Post-Performance Discussions (2012)Invisible Presences—Performance Intertextuality (1994)The Resistance to Theatricality (2002)Introduction: What is sociosemiotics? (2009)The Liberated Performance (1982)The Sociology of the Theatre, Part Three: Performance (1989)Le théâtre ou l’exhibition du monstre. La mise en scène des corps stigmatisés dans Giulio Cesare de Romeo Castellucci (2010)The Ceremony Must be Found: After Humanism (1984)From Apology to Utopia: The Structure of International Legal Argument (1990)Postmodernism and the Social Sciences (1992)The temporality of the landscape (1993)Thematic networks: an analytic tool for qualitative research (2001)Foundations of Language (2002)21 FROM A POETICS OF POSTMODERNISM (2002)Creating things that are not: The role of negation in the poetry of Wislawa Szymborska (2002)Psychonarratology foundations for the empirical study of literary response (2003)A consistent relativism (1997)Concrete possible worlds (2008)On Kinds of Indiscernibility in Logic and Metaphysics (2011)Fifth-century tragedy and Comedy: Asynkrisis (1986)Participatory and appreciative action and reflection (PAAR) – democratizing reflective practices (2008)Seneca’s Tragedies and the Aesthetics of Pantomime (2014)
this work references cited by second hop

References

  • 1960Course in General Linguistics3,557 cited
  • 1982Deconstruction Theory and Practice431 cited
  • 1980The Semiotics of Theatre and Drama417 cited
  • 1979The Possible and the actual : readings in the metaphysics of modality133 cited
  • 1981A Programmatic Attempt at an Anthropology of Knowledge114 cited
  • 1973The theory of objects93 cited
  • 1990A Sociosemiotic Theory of Theatre87 cited
  • 1990Theatre semiotics: signs of life86 cited
  • 1988Possible Worlds and Literary Fictions57 cited
  • 1977Problemes de semiologie theatrale17 cited
  • 1995The Semiotic Stage: Prague School Theater Theory13 cited
  • 1992The language of the theatre13 cited
  • 1999The Corporeality of the Actor’s Body: The Boundaries of Theatre and the Limitations of Semiotic Methodology7 cited

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