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Carl Dahlhaus and the "Ideal Type"
6 references·7 citing·33 second hop
Carl Dahlhaus and the "Ideal Type" (1989)Carl Dahlhaus and the "Ideal Type"Methodology of Social Sciences (2017)Methodology of Social SciencesNineteenth-Century Music (2015)Nineteenth-Century MusicGesammelte Aufsätze zur Wissenschaftslehre (2009)Gesammelte Aufsätze zur Wisse…The Classical Style (1977)The Classical StyleGuidelines for Style Analysis (1972)Guidelines for Style AnalysisThe Structure of Scientific Revolutions (1963)The Structure of Scientific R…A Myriad of Exceptions? Challenging the Sonata‐Form Typology for the Classical Repertoire (2021)A Myriad of Exceptions? Chall…Wie wissenschaftlich muss Musiktheorie sein?. Chancen und Herausforderungen musikalischer Korpusforschung (2016)Wie wissenschaftlich muss Mus…Realismo musical, nacionalismo e a Série Brasileira de Nepomuceno (2011)Realismo musical, nacionalism…A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century (2009)A New Theory of Chromaticism …Musical Pleasures and Amorous Passions: Stendhal, the Crystallization Process, and Listening to Rossini and Beethoven (2003)Musical Pleasures and Amorous…Some difficulties in the historiography of Italian opera (1998)Some difficulties in the hist…Dvorák's “Dumka” and the concept of nationalism in music historiography1 (1993)Dvorák's “Dumka” and the conc…Die Musik in Geschichte und Gegenwart (1989)Music in imperial Rio de Janeiro: European culture in a tropical milieu (2005)German modernism: music and the arts (2006)Studies on the Origin of Harmonic Tonality (1992)Ancient music adapted to modern practice (1997)Counterpoint, Composition and Musica Ficta (2013)Triadic Music in Twentieth-Century Russia (2013)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)The Romantic Generation (1995)Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation (1996)Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics (2005)Verdi, Opera, Women (2013)Methodology of the Social Sciences (1950)Emotion and Meaning in Music (1957)Classic Music: Expression, Form, and Style (1981)Getting the Seats of Your Pants Dirty: Strategies for Ethnographic Research on Virtual Communities (2006)The personalization of politics in Western democracies: Causes and consequences on leader–follower relationships (2011)Theorizing in sociology and social science: turning to the context of discovery (2011)Thematic fame and melodic originality in classical music: A multivariate computer-content analysis1 (1980)John Field and the Alternative History of Concerto First-Movement Form (2011)Evolutionary Categories and Musical Style from Adler to America (2014)Schumann's "Im Legendenton" and Friedrich Schlegel's "Arabeske" (1987)Politics, Feminism, and Contemporary Music Theory (1991)Timing and Music (2002)Cutthroats and Casbah Dancers, Muezzins and Timeless Sands: Musical Images of the Middle East (1998)Berlin Walls: Dahlhaus Knepler, and Ideologies of Music History (2003)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Competing paradigms in qualitative research. (1994)Sample Size in Qualitative Interview Studies (2015)Some Social Requisites of Democracy: Economic Development and Political Legitimacy (1959)Linking Ways of Knowing with Ways of Being Practical (1977)Framing, Agenda Setting, and Priming: The Evolution of Three Media Effects Models (2006)
this work references cited by second hop

References

  • 1963The Structure of Scientific Revolutions35,276 cited
  • 2017Methodology of Social Sciences2,527 cited
  • 2009Gesammelte Aufsätze zur Wissenschaftslehre990 cited
  • 1972Guidelines for Style Analysis163 cited
  • 1977The Classical Style147 cited
  • 2015Nineteenth-Century Music89 cited

Cited by

  • 2011Realismo musical, nacionalismo e a Série Brasileira de Nepomuceno20 cited
  • 2003Musical Pleasures and Amorous Passions: Stendhal, the Crystallization Process, and Listening to Rossini and Beethoven19 cited
  • 2009A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century9 cited
  • 2021A Myriad of Exceptions? Challenging the Sonata‐Form Typology for the Classical Repertoire8 cited
  • 2016Wie wissenschaftlich muss Musiktheorie sein?. Chancen und Herausforderungen musikalischer Korpusforschung8 cited
  • 1998Some difficulties in the historiography of Italian opera8 cited
  • 1993Dvorák's “Dumka” and the concept of nationalism in music historiography14 cited

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