Counterpoint, Composition and Musica Ficta

Margaret Bent

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Musicology and Musical Analysis Medieval Literature and History Renaissance and Early Modern Studies

Abstract

1. Musica Recta and Musica Ficta 2. Pycard's Credo No. 76 3. Renaissance Counterpoint and Musica Ficta 4. Diatonic Ficta: Accidentals, Counterpoint and Notation in Aaron's Aggiunta to the Toscanello in Musica 5. Dicatonic Ficta Revisited: Josquion's Ave Maria in Context 6. Editing Early Music: The Dilemma of Translation 7. Some Factors in the Control of Consonance and Sonority: Successive Composition and the Solus Tenor 8. Pycard's Double Canon: Evidence of Revision? 9. Text Setting in Sacred Music of the Early 15th Century: Evidence and Implications 10. Resfacta and Cantare super librum

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