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Margaret Bent · Study
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Author
Margaret Bent
47 works
· latest 2024
· 2 institutions
cluster: provisional
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29
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38
Citations
1,649
Works here
47
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Most cited in this library
Counterpoint, Composition and Musica Ficta
2013 · 117 citations
A new canonic Gloria and the changing profile of Dunstaple
1996 · 87 citations
Magister Jacobus de Ispania, Author of the Speculum musicae
2016 · 74 citations
Fugue and Fugato in Rococo and Classical Chamber Music
1980 · 67 citations
Dufay, Dunstable, Plummer, A New Source
1969 · 59 citations
Works
47 shown
4 Composing in the Late Middle Ages: Paradoxes in Anonymity and Attributions
Boydell and Brewer eBooks
·
2024
·
1 author
·
chapter
44
citations
Fauvel and Marigny: Which Came First?
·
2023
·
1 author
·
chapter
48
citations
The Fourteenth-Century Italian Motet
·
2023
·
1 author
·
chapter
45
citations
The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis
·
2023
·
1 author
·
chapter
44
citations
The Motet in the Late Middle Ages
·
2023
·
1 author
·
book
39
citations
Washington, Library of Congress, M2.1 .C6 1400 Case: A Neglected English Fragment
Epitome musical
·
2022
·
1 author
·
chapter
44
citations
5 Rota versatilis: Towards a Reconstruction
Boydell and Brewer eBooks
·
2021
·
3 authors
·
chapter
44
citations
Icarus, Phaeton, Haman: did vitry know dante?
Romania
·
2019
·
2 authors
44
citations
Machaut’s Motet 10 and its Interconnections
Boydell & Brewer eBooks
·
2018
·
1 author
·
chapter
44
citations
Resfacta and Cantare Super Librum*
Routledge eBooks
·
2017
·
1 author
·
chapter
4
citations
The absent first gathering of the Chantilly manuscript
Plainsong and Medieval Music
·
2017
·
1 author
46
citations
Melchior or Marchion de Civilibus,prepositus brixiensis
Cambridge University Press eBooks
·
2016
·
1 author
·
chapter
44
citations
Magister Jacobus de Ispania, Author of the Speculum musicae
Routledge eBooks
·
2016
·
1 author
·
book
·
Open access
74
citations
Counterpoint, Composition and Musica Ficta
Routledge eBooks
·
2013
·
1 author
·
book
117
citations
Performative Rhetoric and Rhetoric as Validation
Nottingham Medieval Studies
·
2012
·
1 author
50
citations
The Earliest Fifteenth-Century Transmission of English Music to the Continent
Boydell and Brewer eBooks
·
2010
·
1 author
·
chapter
44
citations
The Myth of tempus perfectum diminutum in the Chantilly Manuscript
Epitome musical
·
2010
·
1 author
·
chapter
47
citations
Naming of Parts: Notes on the Contratenor, c.1350–1450
Epitome musical
·
2009
·
1 author
·
chapter
49
citations
Words and Music in Machaut's Motet 9
Early Music
·
2003
·
1 author
7
citations
Enciclopedia della musica
Institutional Research Information System (Università degli Studi di Trento)
·
2001
·
4 authors
·
other
26
citations
Musica ficta
Oxford Music Online
·
2001
·
2 authors
·
other
12
citations
Notation
Oxford Music Online
·
2001
·
10 authors
·
other
11
citations
Isorhythm
Oxford Music Online
·
2001
·
1 author
·
other
4
citations
The Use of Cut Signatures in Sacred Music by Binchois
·
2000
·
1 author
·
chapter
46
citations
On the Interpretation of ϕ in the Fifteenth Century: A Response to Rob Wegman
Journal of the American Musicological Society
·
2000
·
1 author
5
citations
Counterpoint and Compositional Process in the Time of Dufay: Perspectives from German Musicology
Notes
·
1999
·
2 authors
8
citations
Early Papal Motets
·
1998
·
1 author
·
chapter
49
citations
Fauvel studies : allegory, chronicle, music, and image in Paris, Bibliothèque nationale de France, MS français 146
·
1998
·
2 authors
16
citations
Polyphony of Texts and Music in the Fourteenth-Century Motet: Tribum que non abhorruit/Quoniam secta latronum/Merito hec patimur and Its “Quotations”
·
1996
·
1 author
·
chapter
47
citations
The early use of the sign
Early Music
·
1996
·
1 author
12
citations
A new canonic Gloria and the changing profile of Dunstaple
Plainsong and Medieval Music
·
1996
·
1 author
87
citations
Editing early music: the dilemma of translation
Early Music
·
1994
·
1 author
13
citations
Accidentals, Counterpoint and Notation in Aaron's Aggiunta to the Toscanello in Musica
Journal of Musicology
·
1994
·
1 author
8
citations
Deception, exegesis and sounding number in Machaut's motet 15
Early Music History
·
1991
·
1 author
37
citations
Manuscripts as Répertoires, Scribal Performance and the Performing Scribe
Dialnet (Universidad de la Rioja)
·
1990
·
1 author
45
citations
Fact and Value in Contemporary Scholarship
The Musical Times
·
1986
·
1 author
43
citations
The works of Johannes Ciconia
Editions de l'Oiseau-Lyre eBooks
·
1985
·
3 authors
·
book
11
citations
Diatonicficta
Early Music History
·
1984
·
1 author
41
citations
"Resfacta" and "Cantare Super Librum"
Journal of the American Musicological Society
·
1983
·
1 author
16
citations
Resfacta and Resfacta
Journal of the American Musicological Society
·
1983
·
1 author
18
citations
New sources of English thirteenth- and fourteenth- century polyphony
Early Music History
·
1982
·
2 authors
31
citations
The Saxilby fragment
Early Music History
·
1981
·
1 author
4
citations
The songs of Dufay: Some questions of form and authenticity
Early Music
·
1980
·
1 author
4
citations
Fugue and Fugato in Rococo and Classical Chamber Music
Notes
·
1980
·
3 authors
67
citations
Dufay, Dunstable, Plummer, A New Source
Journal of the American Musicological Society
·
1969
·
2 authors
59
citations
New and Little-Known Fragments of English Medieval Polyphony
Journal of the American Musicological Society
·
1968
·
1 author
47
citations
Sources of the Old Hall Music
Proceedings of the Royal Musical Association
·
1967
·
1 author
4
citations