References

No references inside the corpus for this window.

Cited by

• 2012Vocal performance in the seventeenth century56 cited
• 2019Mapping visions of improvisation pedagogy in music education research54 cited
• 2017HOCKETS BROKEN AND INTEGRATED IN EARLY MENSURAL THEORY AND AN EARLY MOTET50 cited
• 2023Fauvel and Marigny: Which Came First?48 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2023The Fourteenth-Century Italian Motet45 cited
• 2023The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis44 cited
• 2023The Motet in the Late Middle Ages39 cited
• 2020Renaissance Polyphony23 cited
• 2006Gendering the Semitone, Sexing the Leading Tone: Fourteenth-Century Music Theory and the Directed Progression23 cited
• 2006Morley's rule for first-species canon19 cited
• 2023Refining Technopoiesis: Measures and Measuring Thinking in Ancient China11 cited
• 2012The performer and the composer10 cited
• 2009A New Theory of Chromaticism from the Late Sixteenth to the Early Eighteenth Century9 cited
• 2012Instrumental performance in the nineteenth century