SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
“Everything seemed new”: Clown as Embodied Critical Pedagogy
8 references·3 citing·31 second hop
“Everything seemed new”: Clown as Embodied Critical Pedagogy (2012)“Everything seemed new”: Clown as Embodie…The Applied Theatre Reader (2008)The Applied Theatre ReaderA Boal Companion: Dialogues on Theatre and Cultural Politics (2006)A Boal Companion: Dialogues o…Games for Actors and Non-Actors (2005)Games for Actors and Non-Acto…No kidding!: clown as protagonist in twentieth-century theatre (2004)No kidding!: clown as protago…The Moving Body (2001)The Moving BodyPedagogy of Freedom: Ethics, Democracy, and Civic Courage (1998)Pedagogy of Freedom: Ethics, …The Ritual Process: Structure and Anti-Structure (1976)The Ritual Process: Structure…Improvisation for the Theater: A Handbook of Teaching and Directing Techniques (1972)Improvisation for the Theater…Toward Revising Undergraduate Theatre Education (2015)Toward Revising Undergraduate…Presence redefined: The reciprocal nature of engagement between elder-clowns and persons with dementia (2015)Presence redefined: The recip…Close/Clown Encounters with History: From Mimesis to Kinesis in Practice as Research (2013)Close/Clown Encounters with H…The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)Critical Ethnography: Method, Ethics, and Performance (2005)Print and Performance in the 1820s (2020)Jokes and their Relation to the Unconscious 1905 (2024)Efficacy of Music Therapy in the Treatment of Behavioral and Psychiatric Symptoms of Dementia (2008)A Companion to Health and Medical Geography (2009)Collecting and Interpreting Qualitative Materials (2012)Clowning in health care settings: The point of view of adults (2016)Improving social inclusion for people with dementia and carers through sharing dance: a qualitative sequential continuum of care pilot study protocol (2018)Dancing With Dementia: Exploring the Embodied Dimensions of Creativity and Social Engagement (2020)Organizational Improvisation and Organizational Memory (1998)The Convergence of Planning and Execution: Improvisation in New Product Development (1998)Organizational Improvisation and Learning: A Field Study (2001)Handbook of Critical and Indigenous Methodologies (2008)Transformative Leadership: Working for Equity in Diverse Contexts (2010)Epistemic Freedom in Africa (2018)Rehearsals for revolution? Theatre of the Oppressed, dominant discourses, and democratic tensions (2011)Doing Democracy: Activist Art and Cultural Politics (2013)Data Murals: Using the Arts to Build Data Literacy (2016)The Implicated Witness: Towards a Relational Aesthetic in Dramatherapy (2012)Performing location: place and applied theatre (2016)Using Applied Theater in Primary, Secondary, and Tertiary Prevention of Intimate Partner Violence: A Systematic Review (2017)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)The four elementary forms of sociality: Framework for a unified theory of social relations. (1992)Boundary Crossing and Boundary Objects (2011)Deference, Dissent, and Dispute Resolution: An Experimental Intervention Using Mass Media to Change Norms and Behavior in Rwanda (2009)Critical participatory action research as public science. (2012)Hegemonic masculinity: combining theory and practice in gender interventions (2015)Myth, Archetype and the Neutral Mask: Actor Training and Transformation in Light of the Work of Joseph Campbell and Stanislav Grof (2005)Developing decision-making skills for performance through the practice of mindfulness in somatic training (2011)Clown therapy: A drama therapy approach to addiction and beyond (2017)
this work references cited by second hop

References

  • 1976The Ritual Process: Structure and Anti-Structure6,725 cited
  • 1998Pedagogy of Freedom: Ethics, Democracy, and Civic Courage2,813 cited
  • 2005Games for Actors and Non-Actors852 cited
  • 1972Improvisation for the Theater: A Handbook of Teaching and Directing Techniques282 cited
  • 2008The Applied Theatre Reader273 cited
  • 2006A Boal Companion: Dialogues on Theatre and Cultural Politics63 cited
  • 2001The Moving Body41 cited
  • 2004No kidding!: clown as protagonist in twentieth-century theatre18 cited

Cited by

  • 2015Presence redefined: The reciprocal nature of engagement between elder-clowns and persons with dementia97 cited
  • 2013Close/Clown Encounters with History: From Mimesis to Kinesis in Practice as Research12 cited
  • 2015Toward Revising Undergraduate Theatre Education7 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work