No kidding!: clown as protagonist in twentieth-century theatre

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Theatre and Performance Studies Theater, Performance, and Music History Humor Studies and Applications

Abstract

This work examines the way the clown has been used as a serious character by important playwrights and directors in twentieth-century theater. Experiments with Clown by Jean Cocteau, Vsevolod Meyerhold, Bertolt Brecht, Samuel Beckett, Giorgio Strehler, Dario Fo, and Roberto Begnini are examined.

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2012“Everything seemed new”: Clown as Embodied Critical Pedagogy 2013Close/Clown Encounters with History: From Mimesis to Kinesis in Practice as Research

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