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No kidding!: clown as protagonist in twentieth-century theatre
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No kidding!: clown as protagonist in twentieth-century theatre (2004)No kidding!: clown as protagonist in twen…Close/Clown Encounters with History: From Mimesis to Kinesis in Practice as Research (2013)Close/Clown Encounters with H…“Everything seemed new”: Clown as Embodied Critical Pedagogy (2012)“Everything seemed new”: Clow…The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)Critical Ethnography: Method, Ethics, and Performance (2005)Print and Performance in the 1820s (2020)Jokes and their Relation to the Unconscious 1905 (2024)The Ritual Process: Structure and Anti-Structure (1976)Pedagogy of Freedom: Ethics, Democracy, and Civic Courage (1998)Games for Actors and Non-Actors (2005)Presence redefined: The reciprocal nature of engagement between elder-clowns and persons with dementia (2015)Toward Revising Undergraduate Theatre Education (2015)
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  • 2012“Everything seemed new”: Clown as Embodied Critical Pedagogy13 cited
  • 2013Close/Clown Encounters with History: From Mimesis to Kinesis in Practice as Research12 cited

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