Experiments in TurkishGerman film-making: Aye Polat, Kutlu Ataman, Neco elik, Aysun Bademsoy and Kanak Attak

Randall Halle

5 citations0/0 files storedNew Cinemas Journal of Contemporary Film

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Cinema History and Criticism Cinema and Media Studies South Asian Cinema and Culture

Abstract

Although narrative entertainment film is the dominant mode of representation for portrayals of the experience of migration, this essay focuses on the works of film-makers who have worked in an experimental mode: Aye Polat, Neco elik, Kutlu Ataman, the Kanak-TV productions and Aysun Bademsoy. These film-makers produce work largely out of the experience of migration between Germany and Turkey. They incorporate lyrical poetic styles, explore expanded cinematic and installation work, undertake engage interventionist projects and provide new documents of vibrant cultural complexity.

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References

1998Book Review: Modernity at Large: Cultural Dimensions of Globalization 2001An Accented Cinema 1985Theory of the Avant-Garde 2001An Accented Cinema : Exilic and Diasporic Filmmaking 2005The Turkish Turn in Contemporary German Literature 2005The Turkish turn in contemporary German literature : toward a new critical grammar of migration 2003The avant-garde film : forms, themes and passions 2008German film after Germany: toward a transnational aesthetic

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