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Experiments in TurkishGerman film-making: Aye Polat, Kutlu Ataman, Neco elik, Aysun Bademsoy and Kanak Attak
12 references·0 citing·28 second hop
Experiments in TurkishGerman film-making: Aye Polat, Kutlu Ataman, Neco elik, Aysun Bademsoy and Kanak Attak (2009)Experiments in TurkishGerman film-making:…German film after Germany: toward a transnational aesthetic (2008)German film after Germany: to…Cosmopolitical claims: Turkish-German literatures from Nadolny to Pamuk (2008)Cosmopolitical claims: Turkis…The Turkish Turn in Contemporary German Literature (2005)The Turkish Turn in Contempor…The Turkish turn in contemporary German literature : toward a new critical grammar of migration (2005)The Turkish turn in contempor…Avant-Garde / Neo-Avant-Garde (2005)Avant-Garde / Neo-Avant-GardeThe avant-garde film : forms, themes and passions (2003)The avant-garde film : forms,…Akçam – Zaimoğlu –‘Kanak Attak’: Turkish Lives and Letters in German (2002)Akçam – Zaimoğlu –‘Kanak Atta…An Accented Cinema (2001)An Accented CinemaAn Accented Cinema : Exilic and Diasporic Filmmaking (2001)An Accented Cinema : Exilic a…Book Review: Modernity at Large: Cultural Dimensions of Globalization (1998)Book Review: Modernity at Lar…Theory of the Avant-Garde (1985)Theory of the Avant-GardeTheory of the Avant-Garde (1984)Theory of the Avant-GardeCritical pedagogy and predatory culture (1994)T. S. Eliot and the Cultural Divide (1995)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Migrant “Illegality” and Deportability in Everyday Life (2002)How Ideas Spread: Whose Norms Matter? Norm Localization and Institutional Change in Asian Regionalism (2004)The New Mobilities Paradigm (2006)Sociology and Postmodernity (1988)Marxism, Modernity and Postcolonial Studies (2002)The fetish of ‘the West’ in postcolonial theory (2002)Economic change in twentieth-century Turkey: is the glass more than half full? (2008)Islam, gender, and immigrant integration: boundary drawing in discourses on honour killing in the Netherlands and Germany (2008)The Cambridge History of Turkey (2008)Locating Migrant and Diasporic Cinema in Contemporary Europe (2010)Begegnungen und Unterbrechungen (2011)Shakespeare and World Cinema (2012)National, transnational or supranational cinema? Rethinking European film studies (2005)Introduction: Music and Migration (2006)Managing Muslim Visibility: Conversion, Immigration, and Spanish Imaginaries of Islam (2012)Film Festivals : From European Geopolitics to Global Cinephilia (2007)Concepts of transnational cinema: towards a critical transnationalism in film studies (2010)Introduction: TurkishGerman dialogues on screen (2009)The Cultural Identities of Foreign Language Teachers (2011)Writing and Sounding the City: Turkish-German Representations of Berlin. (2012)“Absently Enchanted” (2007)In the Ruins of the Image (2007)The Three Cs of fashion media today : convergence, creativity and control (2010)The Location of Literature: The Transnational Book and the Migrant Writer (2006)The Eastern Turn in Contemporary German, Swiss and Austrian Literature (2008)
this work references cited by second hop

References

  • 1998Book Review: Modernity at Large: Cultural Dimensions of Globalization18,135 cited
  • 2001An Accented Cinema922 cited
  • 1985Theory of the Avant-Garde744 cited
  • 2001An Accented Cinema : Exilic and Diasporic Filmmaking476 cited
  • 2005The Turkish Turn in Contemporary German Literature206 cited
  • 2005The Turkish turn in contemporary German literature : toward a new critical grammar of migration125 cited
  • 2003The avant-garde film : forms, themes and passions75 cited
  • 2008German film after Germany: toward a transnational aesthetic68 cited
  • 1984Theory of the Avant-Garde54 cited
  • 2008Cosmopolitical claims: Turkish-German literatures from Nadolny to Pamuk34 cited
  • 2005Avant-Garde / Neo-Avant-Garde32 cited
  • 2002Akçam – Zaimoğlu –‘Kanak Attak’: Turkish Lives and Letters in German15 cited

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