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Southern African Rock Art and Beyond: A Personal Perspective
16 references·3 citing·39 second hop
Southern African Rock Art and Beyond: A Personal Perspective (2013)Southern African Rock Art and Beyond: A P…Deciphering ancient minds : the mystery of San Bushman rock art (2011)Deciphering ancient minds : t…Inside the neolithic mind: consciousness, cosmos and the realm of the gods (2006)Inside the neolithic mind: co…San spirituality: roots, expression, and social consequences (2005)San spirituality: roots, expr…The mind in the cave: consciousness and the origins of art (2003)The mind in the cave: conscio…A Cosmos in Stone. Interpreting Religion and Society through Rock Art (2003)A Cosmos in Stone. Interpreti…A cosmos in stone: interpreting religion and society through rock art (2002)A cosmos in stone: interpreti…Tricksters and trancers: Bushman religion and society (2000)Tricksters and trancers: Bush…Tricksters and Trancers (1999)Tricksters and TrancersRitual and Religion in the Making of Humanity (1999)Ritual and Religion in the Ma…Modelling the Production and Consumption of Rock Art (1995)Modelling the Production and …Wrestling with Analogy: A Methodological Dilemma in Upper Palaeolithic Art Research. (1991)Wrestling with Analogy: A Met…Through the Veil: San Rock Paintings and the Rock Face (1990)Through the Veil: San Rock Pa…The Economic and Social Context of Southern San Rock Art [and Comments and Reply] (1982)The Economic and Social Conte…Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Believing and Seeing: Symboli…People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought (1978)People of the Eland: Rock-Pai…Eland Hunting Rituals among Northern and Southern San Groups: Striking Similarities (1978)Eland Hunting Rituals among N…The art of music. The representation of musical instruments in the rock art of Zimbabwe (2024)The art of music. The represe…La mobilisation des données dans l'interprétation rituelle des arts rupestres San du Maloti-Drakensberg (2023)La mobilisation des données d…Closely Observed Animals, Hunter-Gatherers, and Visual Imagery in Upper Paleolithic Art (2017)Closely Observed Animals, Hun…The varieties of religious experience: A study in human nature. (1902)Bright air, brilliant fire: on the matter of the mind (1992)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)The Emergence of Ornaments and Art: An Archaeological Perspective on the Origins of “Behavioral Modernity” (2007)Pleistocene cave art from Sulawesi, Indonesia (2014)Earliest hunting scene in prehistoric art (2019)The Savage Mind (1962)New perspectives in archaeology (1968)The Forest of Symbols: Aspects of Ndembu Ritual (1970)Patterns in the distribution, site structure and assemblage composition of Hadza kill-butchering sites (1992)The Woman with the Zebra's Penis: Gender, Mutability and Performance (1997)The Links between Protected Areas, Faiths, and Sacred Natural Sites (2009)The Gift: Forms and Functions of Exchange in Archaic Societies. (1956)The Rites Of Passage (1961)Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1967)Darwin's Cathedral (2002)Religion's evolutionary landscape: Counterintuition, commitment, compassion, communion (2004)The cultural evolution of prosocial religions (2014)Specimens of Bushman Folklore (1912)The roots of civilization. The cognitive beginnings of man's first art, symbol and notation (1974)The !Kung San: Men, Women and Work in a Foraging Society. (1981)The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)Languages of Art (1968)The Transfiguration of the Commonplace, a Philosophy of Art (1981)Reading art, writing history: Rock art and social change in Southern Africa (1994)Seeing is deceiving: Rock art and the non-visual (2001)Memory and Material Culture? (2007)The cultural morphospace of ritual form (2010)‘Rock-art’, ‘Animism’ and Two-way Thinking: Towards a Complementary Epistemology in the Understanding of Material Culture and ‘Rock-art’ of Hunting and Gathering People (2011)Genesis of Symbolic Thought (2012)Style and Social Information in Kalahari San Projectile Points (1983)Reconsidering the behavioral basis for style: A case study among the Kalahari San (1984)The Human Symbolic Revolution: A Darwinian Account (1995)Frazer strikes back from the armchair: a new search for the animist soul* (2011)Embers of society: Firelight talk among the Ju/’hoansi Bushmen (2014)The Prehistoric Development of Clothing: Archaeological Implications of a Thermal Model (2010)A Segment is not a Monolith: evidence from the Howiesons Poort of Sibudu, South Africa (2008)Early Paleoindian big-game hunting in North America: Provisioning or Politics? (2010)Late Pleistocene Techno-traditions in Southern Africa: A Review of the Still Bay and Howiesons Poort, c. 75–59 ka (2012)
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References

  • 1999Ritual and Religion in the Making of Humanity2,294 cited
  • 2003The mind in the cave: consciousness and the origins of art595 cited
  • 1982Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings.436 cited
  • 2000Tricksters and trancers: Bushman religion and society297 cited
  • 1978People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought269 cited
  • 1990Through the Veil: San Rock Paintings and the Rock Face173 cited
  • 2006Inside the neolithic mind: consciousness, cosmos and the realm of the gods143 cited
  • 1982The Economic and Social Context of Southern San Rock Art [and Comments and Reply]141 cited
  • 2005San spirituality: roots, expression, and social consequences132 cited
  • 1978Eland Hunting Rituals among Northern and Southern San Groups: Striking Similarities94 cited
  • 2011Deciphering ancient minds : the mystery of San Bushman rock art90 cited
  • 1999Tricksters and Trancers86 cited
  • 2002A cosmos in stone: interpreting religion and society through rock art85 cited
  • 2003A Cosmos in Stone. Interpreting Religion and Society through Rock Art82 cited
  • 1991Wrestling with Analogy: A Methodological Dilemma in Upper Palaeolithic Art Research.

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78 cited
  • 1995Modelling the Production and Consumption of Rock Art77 cited
  • Cited by

    • 2024The art of music. The representation of musical instruments in the rock art of Zimbabwe2 cited
    • 2017Closely Observed Animals, Hunter-Gatherers, and Visual Imagery in Upper Paleolithic Art1 cited
    • 2023La mobilisation des données dans l'interprétation rituelle des arts rupestres San du Maloti-Drakensberg0 cited