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Lost plays of Shakespeare's age
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Lost plays of Shakespeare's age (1936)Lost plays of Shakespeare's age“The Blazing Torch”: New Light on English Balladry as a Multi-Media Matrix (2015)“The Blazing Torch”: New Ligh…What is Not Collaborative about Early Modern Drama in Performance and Print? (2014)What is Not Collaborative abo…The media players: Shakespeare, Middleton, Jonson, and the idea of news (2013)The media players: Shakespear…Richard Bancroft and Elizabethan Anti-Puritanism (2013)Richard Bancroft and Elizabet…Reading Between the Acts: Satire and the Interludes in The Knight of the Burning Pestle (2012)Reading Between the Acts: Sat…Duration of Performances and Lengths of Plays: How Shall We Beguile the Lazy Time? (2010)Duration of Performances and …Incomplete Shakespeare: Or, Denying Coauthorship in 1 Henry VI (2007)Incomplete Shakespeare: Or, D…'There's Meat and Money Too': Rich Widows and Allegories of Wealth in Jacobean City Comedy (2005)'There's Meat and Money Too':…Singing Psalms to Horn-pipes: Festivity, Iconoclasm, and Catholicism in The Winter's Tale (2004)Singing Psalms to Horn-pipes:…Collaborative Playwriting: The Chettle, Dekker, Heywood Syndicate (1989)Collaborative Playwriting: Th…The Wells Cordwainers Show: New Evidence Concerning Guild Entertainments in Somerset (1985)The Wells Cordwainers Show: N…Wit Without Money: A Fletcherian Antecedent to Keep the Widow Waking (1974)Wit Without Money: A Fletcher…Marriage and the domestic drama in Heywood and ford (1951)Marriage and the domestic dra…The Pattern of Tragicomedy in Beaumont and Fletcher. (1953)The Jacobean and Caroline Stage (1957)The Elizabethan Stage (2009)In Defence of Rhetoric (1989)The Riverside Shakespeare (1999)The Oxford English Dictionary Online (2004)The three parts of Henry VI (2009)Shakespeare and Paradigms of Early Modern Authorship (2012)Thomas Nashe, The Vnfortvnate Traveller , and Love’s Labour’s Lost (2014)The Cheese and the Worms: The Cosmos of a Sixteenth-Century Miller (1982)The acoustic world of early modern England: attending to the O-factor (1999)The Order of Things (2005)The Complete Works of Shakespeare (1854)Narrative and Dramatic Sources of Shakespeare (1974)Playgoing in Shakespeare's London. (1988)Being-in-Light at the Early Modern and Reconstructed Theatres (2015)Shakespeare Performance Studies (2017)The Distribution and Ordering of Speeches and Shakespearean Revision (2018)English reformations: religion, politics, and society under the Tudors (1994)The Stripping of the Altars: Traditional Religion in England, c. 1400-c. 1580. (1994):Thinking with Demons: The Idea of Witchcraft in Early Modern Europe (1998)Return to the Sacred: The Shrine of Our Lady of Walsingham and Contemporary Christianity (2018)All 'Metatheatre' is Not Created Equal: The Knight of the Burning Pestle, A Midsummer Night's Dream, and the Navigation of the Spectrum of Dramatic Representation (2018)Distinction: A Social Critique of the Judgement of Taste* (2018)Nostalgia in Print and Performance, 1510–1613 (2019)Approaching the Interval in the Early Modern Theatre (2024)The Profession of Dramatist in Shakespeare's Time, 1590-1642 (1973)Erotic Politics: Desire on the Renaissance Stage. (1993):Providence in Early Modern England (2001)Publics and counterpublics (2003)Ben Jonson's Antagonistic Style, Public Opinion, and Sejanus (2017)Shakespeare, Popularity and the Public Sphere (2017)A New Introduction to Bibliography (1973)A critique of modern textual criticism (1983)Textual intercourse: collaboration, authorship, and sexualities in Renaissance drama (1997)Of the Laws of Ecclesiastical Polity (1593)The Mental World of the Jacobean Court (1993)Lord Henry Howard, William Temple, and the Earl of Essex (2016)Religion and the Decline of Magic (2017)The Reinvention of Magna Carta 1216–1616 (2017)Prayer and Performance in Early Modern English Literature (2018)
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Cited by

  • 2013Richard Bancroft and Elizabethan Anti-Puritanism81 cited
  • 2007Incomplete Shakespeare: Or, Denying Coauthorship in 1 Henry VI51 cited
  • 2010Duration of Performances and Lengths of Plays: How Shall We Beguile the Lazy Time?41 cited
  • 2012Reading Between the Acts: Satire and the Interludes in The Knight of the Burning Pestle23 cited
  • 2015“The Blazing Torch”: New Light on English Balladry as a Multi-Media Matrix20 cited
  • 2013The media players: Shakespeare, Middleton, Jonson, and the idea of news18 cited
  • 2004Singing Psalms to Horn-pipes: Festivity, Iconoclasm, and Catholicism in The Winter's Tale14 cited
  • 1989Collaborative Playwriting: The Chettle, Dekker, Heywood Syndicate10 cited
  • 1974Wit Without Money: A Fletcherian Antecedent to Keep the Widow Waking10 cited
  • 2014What is Not Collaborative about Early Modern Drama in Performance and Print?9 cited
  • 2005'There's Meat and Money Too': Rich Widows and Allegories of Wealth in Jacobean City Comedy9 cited
  • 1951Marriage and the domestic drama in Heywood and ford7 cited
  • 1985The Wells Cordwainers Show: New Evidence Concerning Guild Entertainments in Somerset5 cited

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